Monday, September 28, 2009
Georgia O'Keeffe: In Her Own Words
A blockbuster exhibit, Georgia O’Keeffe: Abstraction, has opened at the Whitney Museum of American Art this month, and with it the first-time publication of steamy love letters between O'Keeffe and her husband, Alfred Stieglitz, the well-known photographer.

The letters had been sealed for 20 years, but now the catalogue accompanying the show includes 22 of the emotional treatises, along with images of O'Keeffe's sensuous, often joyous depictions of flowers. Excerpts from 10 of O'Keeffe's letters were also posted on The Daily Beast a few days ago. The letters date from 1916 to the 1940s, when the artist wrote to Stieglitz in New York City from her permanent home in Abiquiu, New Mexico.

For anyone who thought the recent biopic Georgia O'Keeffe, which aired on Lifetime Sept. 19, seemed a bit superficial and overwrought, the letters shed additional light on the artist and her complicated relationship with Stieglitz. He was portrayed in the biopic as a self-absorbed, cruel philanderer, but also as the artist's biggest promoter.
 
We often think of O'Keeffe as a leathery skinned, stoic, independent woman of the West, not the willing participant in a relationship of "enraged intimacy," as one critic dubbed the duo's stormy union. Nor do we think of this art icon as a mushy school girl smitten with a man twice her age. But in a 1916 letter, O'Keeffe wrote to Stieglitz: "I don't know if its woman or little girl—I am mostly both. I want to put my arms round you—kiss you—let you kiss me." (Punctuation and spelling are O'Keeffe's.) By 1934 the letters turn bleaker, with painful references to his affairs. The correspondence coupled with the exhibition should offer O'Keeffe aficionados a deeper look into the personal life of the legendary painter—a key figure in 20th century art and the only American female artist with a museum dedicated to her work.

Show schedule:

Dispatches from the West | Exhibits | News | Notable Artists
9/28/2009 9:21:50 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Monday, August 24, 2009
Five art exhibits you need to see this fall

Fleeting Encounter by Lindsay Scott (oil, 27x44), whose work appears in the National Museum of Wildlife Art's Miniatures and More Show & Sale.

Fall season out in the West always ushers in an array of impressive museum exhibitions. If you're thirsting for a really big show with great artists, here are some suggestions:
  • For wildlife art lovers, the annual Miniatures and More Show & Sale takes place Sept. 18 at the National Museum of Wildlife Art in Jackson, WY. The exhibit spotlights works by the genre's top painters and sculptors. This year Lindsay Scott, who creates compelling portraits of African creatures, is a featured artist.
  • The Kolb Studio isn't exactly a museum, but it's not a gallery either. On Sept. 19, the studio, which sits on the south rim of the Grand Canyon and is operated by the nonprofit Grand Canyon Association, features works by 20 artists who are known for expressing the grandeur of this natural wonder.  
  • The university town of Stockton, CA, is home to The Haggin Museum, a treasure trove of works by 19th- and early-20th-century European and American painters. But from Oct. 2 to Jan. 10, the museum will host contemporary landscape painters: members of the prestigious Plein Air Painters of America. The exhibit will brim with fantastic paintings of our country's national parks.
  • In the Denver area, the Madden Museum of Art displays Windows to the Divine, a show with well-known painters, such as Scott Fraser, Albert Handell and Quang Ho, and their interpretations of spiritual paths, though not necessarily including religious or sacred subjects. The ecumenical event runs Oct. 3-23.
  • Southern California's Laguna Art Museum hosts the 11th annual Laguna Beach Plein Air Painting Invitational Oct. 11-18. Join the painters at the opening and on the beach for breakfast and a Quick Draw contest.
—Bonnie Gangelhoff

Dispatches from the West | Exhibits | Shows and Events
8/24/2009 12:34:26 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Wednesday, August 05, 2009
Portland art report, part 1
Finally got around to uploading all my pics from my trip out to the Pacific Northwest, and there's just too much good stuff for one blog post! Check back Friday for part II.

I spent what feels like half of my vacation waiting around in Chicago's O'Hare airport. Luckily, there was plenty of stuff to keep me occupied, like the neon light tunnel between terminals:



Once I finally got to Portland, I went to a lot of my favorite places, like the Alberta Arts District (but I'm utterly bummed about the demise of Office's bricks-and-mortar store), the Portland Art Museum and the Museum of Contemporary Craft. Saw this kooky shrine suspended from a light pole in Alberta:



Guardino Gallery had a show of works by Shalene Valenzuela and Kelly Neidig, who I've actually been a fan of for a while! I was really tempted to take home one of Neidig's expressionist landscapes:



I also went to the Oregon coast for a vacation-within-a-vacation. Being a land-locked yankee, I think the ocean is such an incredible thing. While in Yachats I ran into this strapping mural:



Enough said.


By Grace Dobush | Exhibits | Random Thoughts
8/5/2009 5:01:55 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Wednesday, July 22, 2009
Art Crime
Italy is the epicenter for art crime. And art crime is the third-highest-grossing illegal business in the world. Working in the field and with retired F.B.I. agents, students at Noah Charney's school in Amelia, Italy can become near-experts (earning a master's degree) in three months. Read about the intriguing international scene—the problem of security at museums, cathedrals, and excavations; the nuances of art law; the practice of looting in broad daylight, and the myriad strategies for recovery and restoration—in "A Master's in Art Crime (No Cloak and Dagger).


And, also in today's Arts section of The New York Times, Ken Johnson reviews Reconfiguring the Body in American Art, 1820-2009, an exhibition on view at the National Academy Museum through November 15th: "The Human Figure, Dressed up, Down, and Often Not at All."


By Maureen Bloomfield | Exhibits | News
7/22/2009 9:59:09 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Friday, July 17, 2009
Visiting the Portland Art Museum
Well, all, I'm off to the Pacific Northwest again next week! My one definite plan is to take in the Portland Art Museum. It's kinda ridiculous that I've been to Portland twice already and never made it there. The current exhibition list is really impressive:
Virtual Worlds: M.C. Escher and Paradox
Through Sept. 13: Printmaker Maurits Cornelis Escher created visual puzzles in which logic and absurdity coexist. This exhibition traces the development of the artist’s work from his early stylized depictions of landscape and architecture to his later use of repeated geometric patterns.

Marking Portland: The Art of Tattoo
Through Sept 7: Experience the art of tattoo—through time and across cultures—with Museum-wide kiosks showcasing tattoo-related art from the permanent collections and interactive, multimedia presentations featuring Portland-area tattoos and their stories.

Sensitive Vision: The Prints of Beth Van Hoesen
Through Aug. 16: This retrospective of prints by San Francisco artist Beth Van Hoesen features approximately 70 prints drawn from the permanent collection of the Portland Art Museum.
Can't wait! See y'all in 10 days!


By Grace Dobush | Exhibits | Random Thoughts
7/17/2009 11:14:17 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Monday, July 06, 2009
5 best little art museums out West
Los Angeles, San Francisco, Seattle, Denver. Sure, there are great museums in big cities west of the Mississippi. But if you take a road trip this summer, don't overlook these little gems of art museums:
  • Nicolaysen Art Museum, Casper, WY: Located is in a historic building downtown, the museum features exhibitions of works by top regional and national artists, ranging from traditional to edgy. Locals refer to it as "The Nic." Paintings by California-based artist Jorge Santos (whose painting Flight Instructor is at right) are on view through August 22.

  • National Museum of Wildlife Art, Jackson Hole, WY: This scenic mountain town attracts skiers in winter and hikers in summer. But the western-flavored retreat is also home to a museum that displays a treasure trove of fine wildlife art by masters such as Bob Kuhn and Robert Bateman.

  • Laguna Art Museum, Laguna Beach, CA: Perched on the edge of the Pacific Ocean, the museum offers superb presentations spotlighting Golden State artists. Exhibitions range from excellent early and contemporary plein-air painting to pop culture phenomena like surf art.

  • Palm Springs Art Museum, Palm Springs, CA: Located equal distances from San Diego and Los Angeles, this desert art oasis has a sophisticated, international flavor with works by Henry Moore, Louise Bourgeois, Georgia O'Keeffe and Ed Ruscha. Check out the eye-popping Dale Chihuly chandelier.

  • Desert Caballeros Western Museum, Wickenberg, AZ: Tucked away in a small town between Phoenix and Sedona, Desert Caballeros is dedicated to preserving the West. On my visit, the museum was showcasing an incredible cache of Navajo rugs. The museum also hosts Cowgirl Up!, an annual show billed as the place to see "the best western women artists all in one place at one time."
—Bonnie Gangelhoff


Dispatches from the West | Exhibits
7/6/2009 9:12:39 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Friday, June 26, 2009
Art News Roundup
I'm cleaning out the old e-mail inbox today, and I found a lot of interesting events happening now or soon!


By Grace Dobush | Exhibits | News | Shows and Events
6/26/2009 1:27:15 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Monday, June 15, 2009
Fried eggs, feet and flapjacks


Big. Bold. Bodacious. Coming upon As Above So Below (above) for the first time, these are the words that sprung to mind. The painting is by Riva Sweetrocket, and her colors are so vivid you can't believe they're pastels. No sugary baby blues or pale pinks here. Sweetrocket's images—on view at Denver's Plus Gallery—are as fresh and original as her colors. Quirky juxtapositions bring together hands, feet, fried eggs, and flapjacks to create striking compositions.

In one of my favorites, Ruby Slipper Revelation (at right), the artist turns Dorothy's red slippers on their allegorical heels and offers viewers a Western take on the "Wizard of Oz" shoes—a woman exuberantly thrusts a pair of red cowboy boots toward the sky. For Sweetwater, the boots are a more powerful symbolic image than the sparkly pumps from the movie.

The artist's visual banquets are usually packed with metaphors and meanings. They are to be savored on many delicious levels. If you’re in Denver between Sept. 21 and the end of the year, stop by the Buell Theater, where Sweetrocket will have 12 new paintings on view. To learn more about the Colorado artist and the show, check out the September issue of Southwest Art.
—Bonnie Gangelhoff

Dispatches from the West | Exhibits
6/15/2009 9:23:56 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Tuesday, May 26, 2009
 Tuesday, May 19, 2009
Watercolorist Joseph Raffael on tour

Joseph Raffael's Studio Bouquet (watercolor, 54x84)

Our friend Joseph Raffael got a great writeup in the Denver Post this week. The watercolor artist's gigantic florals are starting a national right now, so you can see them for yourself in your neck of the woods:
Arvada Art Center, Denver, CO
April 17 through June 1, 2009

Fort Collins Museum of Contemporary Art, Fort Collins, CO
June 8 through August 20, 2009

The Butler Institute of American Art, Youngstown, OH
September 10 through October 26, 2009

The Nancy Hoffman Gallery, New York City
November 5, 2009, through January 2, 2010

Polk Museum of Art, Lakeland, FL
January 23 through April 4, 2010

You can read more about Raffael in the June 2007 issue of Watercolor Artist and the May 2009 issue of The Artist's Magazine.

By Grace Dobush | Exhibits | Notable Artists
5/19/2009 10:20:02 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Tuesday, April 28, 2009
George Tooker retrospective
We're sending the July issue of The Artist's Magazine to the press this week, and one of the artists in the issue is George Tooker, an egg tempera painter and Magical Realist. (The issue goes on sale June 6.)

The Columbus (Ohio) Museum of Art is showing a retrospective on Tooker starting May 1 through Sept. 6. The CMA also released a mini-documentary about the artist. You can watch the first part below and see the rest on the CMA's YouTube page.


By Grace Dobush | Exhibits | Notable Artists | Videos
4/28/2009 1:38:50 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Wednesday, April 08, 2009
80 artists at the seder table


Beth Grossman, We were once slaves in Egypt (wood burning on wooden turntable, leather, matzah, gold leaf).
"The suitcase symbolizes the historical baggage that holds both memories of our Exodus and hopes for a better future. Into each suitcase on the seder plate, I have tucked a piece of matzah lettered with a word representing some of the essentials we truly need to carry with us—intelligence, memories, courage, relationships, fertility, and faith."


The traditional seder ceremony centers around a plate that holds food that symbolizes the holiday, one of the most important in the Jewish calendar, which begins tonight. The Contemporary Jewish Museum in San Francisco called on artists from around the country to create seder plates in its Dorothy Saxe Invitational. The results range from the utilitarian to the utterly fanciful. The plates are on view through June 2.



Grace Hawthorne and Phoebe Streblow of ReadyMade magazine, Seder-Made (mixed media).
"ReadyMade magazine borrows Marcel Duchamp's 'Jedi mind trip' of recontextualizing ordinary objects into extraordinary design. In an effort to create familiar and comfortable access points within the context of such a celebrated formal holiday, we constructed a seder plate out of common everyday objects that one could find around home or office."


By Grace Dobush | Exhibits
4/8/2009 9:35:03 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Monday, March 30, 2009
Santa Fe happenings

The Rail Runner Express makes it easy to speed between Santa Fe and Albuquerque.

A lot is happening in this southwestern art mecca in the coming months. 
  • For the first time, the renowned SOFA (Sculptural Objects & Functional Art) show comes to town June 11-14. The prestigious expo, also held in New York and Chicago, features wood, glass, ceramic, metal and fiber art. Eye-popping works by artists like Californian Latchezar Boyadjiev (whose Torso IV is at right) are on view. SOFA WEST is a real coup for the City Different.
  • Under construction since 2006, the New Mexico History Museum is finally set to open May 24. Among the presentations are displays on the state's art communities.
  • In a show opening May 22, the Georgia O'Keeffe Museum features a selection of seldom-seen O'Keeffe works inspired by her travels outside the United States.
—Bonnie Gangelhoff

Dispatches from the West | Exhibits | Notable Artists | Shows and Events
3/30/2009 9:23:09 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [4] 
 Tuesday, March 17, 2009
International Scratchboard Show
2921-show2.jpgRarely, perhaps never before now, does one have the opportunity to view in person the work of 25 international artists in a show exclusively featuring scratchboard works. Scratching the Surface is running now until March 26 at the Dean Johnson Gallery in Indianapolis, Indiana. Members of the WetCanvas scratchboard art forum helped bring the show together, with works submitted from the United States, Canada, Germany, New Zealand and Australia.

Worth a visit, I’d say, but if you just can’t make it to Indianapolis this month, check out the pics on the WetCanvas scratchboard forum.


By Holly Davis | Exhibits | News | Shows and Events
3/17/2009 10:28:21 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
 Wednesday, February 18, 2009
Society of Illustrators exhibition
The final phase of the Society of Illustrators' annual exhibition, Illustrators 51, goes live March 4. The Advertising, Institutional and Uncomissioned Exhibit features the work of Marc Burckhardt, Jody Hewgill, Brad Holland and Frances Jetter, among others.

You can see the show March 4 through 28 at the Museum of American Illustration, at 128 E. 63rd St. in New York City. The museum's open Tuesday-Saturday, and admission is free. If you can't make it to NYC for the show, you can catch some of the works on a US college tour through June 2010.

By Grace Dobush | Exhibits | Shows and Events
2/18/2009 3:20:17 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0] 
 Wednesday, January 07, 2009
Miniature Art Society of Florida show
If you're a snowbird (or a full-time Floridian), check out the Miniature Art Society of Florida's annual exhibit, which opens Jan. 18. About 850 works will be on view, plus the society's permanent collection of 100 more miniatures.

The top awards went to:
  • Best of Show: Jane Mihalik, Taneytown, MD
  • Judge's Second Joice: Judith E. Johnson, Riverview, FL
  • Excellence in All Entries: Richard William Haynes, Fairfield, NJ
  • Best Work by a Young Artist: Rebecca Latham, Hastings, MN
  • Best Work by a First Time Entrant: David Drummond, Albuquerque, NM
  • Best Traditional Portrait Miniature: Rachelle Siegrist, Townsend, TN
Miniatures are a fascinating breed. Portrait miniatures (such as the one pictured here, Self Portrait by Sarah Goodridge, watercolor on ivory, 4x3, 1830) were very common until the advent of photography.

You can see the show at the Dunedin Fine Art Center, 1143 Michigan Blvd., Dunedin, FL 34698. It runs from Jan. 18 to Feb. 8 and is open 10 a.m. to 5 p.m. Monday through Friday; 10 a.m. to 2 p.m. on Saturdays; and 1 to 4 p.m. on Sundays. Admission is $6 for adults, $5 for seniors and $4 for kids 6 to 18. Click here for more info.


By Grace Dobush | Exhibits | Shows and Events
1/7/2009 10:12:52 AM (Eastern Standard Time, UTC-05:00)  #  Comments [0] 
 Thursday, August 14, 2008
See the Light

003Palmer.jpg
“Leave a light in the window” has taken on a whole new scope of meaning at the Franklin Park Conservatory in Columbus, Ohio, since last Friday. That’s the day artist James Turrell’s permanent installation of a light show first lit up Palm House, the conservatory’s Victorian-style greenhouse. Seven thousand inconspicuously strung, low-voltage, light-emitting (LED) bulbs now emit a glowing display of changing jewel-like hues from dusk-to-dawn.

Click here for the Columbus Dispatch article about the Palm House installation.

Turrell, the artistic mastermind of the Palm House installation, is no neophyte when it comes to light shows, having put on 140 solo exhibitions worldwide since 1967—utilizing many types of artificial light, including neon, fiber optics, fluorescents and lasers. He’s best known for his 35-year project at the Roden Crater, a natural cinder volcano in Arizona’s Painted Desert.

Click here for a PBS biography of Turrell plus multimedia links about his work.001Palmer.jpg004Palmer.jpg

Photography © Brad Feinknopf 2008

By Holly Davis | Exhibits | Notable Artists
8/14/2008 6:19:24 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Friday, August 08, 2008
Watercolorist Paul Jackson competes in China
The-Cardinal.jpg
Watercolorist Paul Jackson is "Team America" in The International Watercolor Masters Invitational Exhibition at Lu Mountain in China, billed as featuring the "top 20 watercolorists from around the world." Not only is he one of a mere three Americans invited (and the only one to make the trip) but also, tonight he addresses 2000 Chinese and 20 international artists at the opening dinner. To the left is The Cardinal (National Cathedral in Washington D.C.)—one of the three architectural paintings Jackson will have on view during the exhibition.

And Jackson will be creating more art as he competes in a sort of plein air paint-off with acclaimed Chinese watercolorists. Some of the resulting artwork will be donated to help those affected by earthquakes in southwest China.

Wish you were there? Check out Jackson's travel blog at www.pauljackson.com/blog/.

Want to see more of Jackson's work? Go to his website (www.pauljackson.com) and check out his feature article in the April 2008 issue of Watercolor Artist.


By Holly Davis | Exhibits | Notable Artists
8/8/2008 12:50:59 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Tuesday, August 05, 2008
Chinese Garden Sculpture
I love this contemporary Chinese sculpture, Mother and Son, by Lu Shengzhong, which is featured this summer in the exhibition “Chinese Gardens for Living: Illusion into Reality” by the Staatliche Kunstsammlungen Dresden in association with the National Art Museum of China (NAMOC), Beijing. As she celebrates the birth of her child, the mother seems to assume the goddess pose in yoga. It's no surprise this artwork holds special meaning for me—our first grandchild, a little girl, will be making her debut very, very soon! The image is courtesy of Art Knowledge News.


By Chris McHugh | Exhibits
8/5/2008 4:46:22 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
 Monday, June 02, 2008
My weekend in DC
A story in pictures!

I spent only 48 hours in our nation's capital, but boy, did I work in a lot of stuff. Most notably, a trip to the Newseum and a walk through the National Portrait Gallery.

My friends and I arrived at the Newseum, a 250,000-square-foot museum dedicated to the history of news, just as a downpour started. Even though the weather got better, we spent the entire afternoon exploring its six floors of displays. That's the First Amendment inscribed on the front of the museum:

In the first level was an amazing wall-mounted sculpture made of rescued type:

The section devoted to coverage of Sept. 11, 2001, was really impressive. What looks like a sculpture here is a chunk of the radio tower formerly atop the World Trade Center. In the background are an assortment of international front pages from Sept. 12:

It would have been easy to spend a few more days in the museum, especially because of this area, full of hundreds of front pages depicting historic events:

The next day, I spent some time at the National Portrait Gallery before my flight left. Unfortunately, photography was prohibited in many of the areas, so I don't have any pictures of amazing art to show you, but I do have a picture of this wonderful outlook:

And of the newly remodeled atrium:

I really enjoyed the current "Recognize! Hip Hop and Contemporary Portraiture" exhibit, especially the work from Kehinde Wiley.

What impressed me most about DC is how affordable it is. So many of the museums are free (though the Newseum's admission is $20), that my only real expenses were food and Metro passes! Plus, my friends and I stayed at a very swank hotel for cheap because they cater to business travelers, who head home on weekends.

Even though my list of places to visit is miles long, I know I'll head back to DC again before long to hit up all the museums I had to skip this time.

By Grace Dobush | Exhibits | Random Thoughts
6/2/2008 12:38:05 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
 Friday, May 02, 2008
A Michelangelo's-eye view of the Sistine Chapel

Note from Grace: This is our associate editor Holly's first post on the blog, so give her a round of applause!


My fascination with Michelangelo's painting of the Sistine Chapel ceiling goes way back. I remember hearing an elementary school classmate speak of the pope's impatience with the painter to complete his masterpiece, and I envisioned the Pope rushing into the chapel and shouting up to Michelangelo, "Aren't you done yet?! How much longer?" When I heard that Michelangelo lay on his back while painting the ceiling frescoes, I imagined paint drips on his face and sore arms. The myths and methods concerning the chapel ceiling have meant as much to me, sometimes more, as the frescoes themselves.

That's why I'm enthralled with the exhibition "Vatican Splendors from Saint Peter's Basilica, the Vatican Museums and Swiss Guard," which just happens to correspond with the 500th anniversary of Michelangelo's painting of the Sistine Chapel ceiling (not to mention the building of Saint Peter's Basilica, the founding of the Vatican Museums and the establishment of the Papal Swiss Guard).

Oh, the relics, papal rings and jewels, tiaras, embroidered silk vestments, swords, armor, mosaics, sculptures and paintings are appealing—and works by Bernini, Giotto and Guercino certainly command a draw—but what really grabs me is the recreated environment of the scaffolding near the ceiling of the Sistine Chapel. Imagine getting a Michelangelo's-eye view of the ceiling frescoes (or copies thereof).

Check out "Vatican Spendors" for yourself at one of its three US venues:

• Through May 11
Florida International Museum
St. Petersburg, Florida

• May 31-Sept. 7
The Western Reserve Historical Society
Cleveland, Ohio

• Opening Sept. 27
Minnesota History Center
St. Paul, Minnesota

Photo credit: Evergreen Exhibitions

By Holly Davis | Exhibits | Notable Artists
5/2/2008 4:23:31 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Monday, April 14, 2008
My guide to Portland's Alberta Arts District
Portland, Oregon, always treats me well. It's developed a reputation for being a hipster haven—the rental market has been totally saturated because of all the refugee Californians and creative Midwesterners flocking to the city. (Moving to Portland might just beat out going to grad school as the preferred adulthood escape route for my generation.)

One of my favorite areas to explore is the Alberta Arts District, which stretches out over 15-20 blocks of NE Alberta Street. Amid the plentiful clothing boutiques and taquerías are a lot of great galleries and stores that feature a lot of local work. Here are a few of my faves:

REDBIRD STUDIO

I visited Redbird Studio last year and loved it immediately. This year, I happened to stop by on the studio’s second birthday, which meant free cupcakes!

Owners Paul Evans and Melissa Rau make a lot of the stuff for sale in the shop, which includes lots of stationery and cards, handmade accessories and screenprinted T-shirts and baby things.

I really loved the large-scale portraits by Kevin Noonan of political figures that were on display in the back of the store, which is a whole other gallery called Haiku. Melissa told me Kevin intentionally puts very affordable prices on his paintings. They were so low I seriously considered buying one and toting it home on the plane with me.

And if you’re in the neighborhood, right next door are HiiH Gallery, which sells beautiful handmade paper lanterns, and Guardino Gallery, which displays contemporary art and crafts.

Redbird Studio, 2927 NE Alberta St., 503/593-0833

TOGETHER GALLERY

Together Gallery popped up since my last trip to Portland. I arrived just in time to see "The Color of Nature," an exhibit featuring work from local artists Seth Neefus, Amy Ruppel, and Jill Bliss. Together also has a healthy offering of zines and small press publications, which I’m a big fan of.

Together Gallery, 2314 NE Alberta St., 503/288-8879

OFFICE PDX

Anybody who loves industrial-strength work supplies has a one-way ticket to heaven at OFFICE. The décor and the goods are heavy on the Americana, with a hearty dose of Japanese utility.

I got to check out Jill Bliss and Brittany Kate Powell's kooky "Califoregon" collection while I was there. And, like I always do, I spent too much money on letterpressed cards.

OFFICE PDX, 2204 NE Alberta St., 888/355-7467


Advice | By Grace Dobush | Exhibits
4/14/2008 1:18:27 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [2] 
 Wednesday, April 09, 2008
Rising Sun, Indiana
Last Friday, my younger daughter Margaret and I drove to Rising Sun, Indiana, in order to make the opening of the 2008 Second Annual Juried Exhibition at the Pendleton Art Center. Vera Curnow, the director, had planned a lovely evening: live music, a lavish spread, etc, and, of course, the show. Since I was the juror, it seems self-serving to praise the works, which were beautifully installed (by Vera, who is herself a fine artist), but they were objectively impressive: high in quality and diverse in media and style. It was lovely for me to meet the artists; here are some pictures of the festive evening.

Below: Paul Loehle (First Place); Maureen; Eric Phagan (Second Place); Susan Mahan (Honorable Mention).



Below: Maureen with Jackie Braden (Best of Show) in front of Jackie's painting.


By Maureen Bloomfield | Exhibits | Shows and Events
4/9/2008 1:39:17 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [5] 
 Tuesday, March 18, 2008
Quick link: Color Chart


The flashy website for the Museum of Modern Art's exhibition Color Chart: Reinventing Color, 1950 to Today is more than enough to brighten up this rainy day for me. 

By Grace Dobush | Cool Web sites | Exhibits
3/18/2008 10:09:57 AM (Eastern Daylight Time, UTC-04:00)  #  Comments [1] 
 Thursday, March 06, 2008
Jasper Johns and Gray
Jasper Johns is perhaps best known for his flag and target series, both meditations on signs, both exploratory in technique. In Johns’s pictures, surfaces are multi-layered, often encrusted; stenciled letters, actual objects like forks, or collage fragments appear; the pictures are often bright and primary in chroma. Alongside that body of work is another, now on display at the Metropolitan Museum until May 4th, one that explores the nuances of subtle color, "Jasper Johns: Gray." Johns made sketches after paintings rather than before; he worked through formal problems by painting or drawing the same painting, modifying elements or not, again and again. In his work we see the intersection between a compulsive temperament and masterly craft. Every piece in the show has a vitality; many of the 119 works have beautiful passages, but only one or two in any room are majestic. The show thus reminds us that in order to create a major work it’s necessary to falter or fail at least three times and usually more, and the only solace lies in the act of working—painting, writing, whatever.

The show opens with False Start (highly colored) next to Jubilee (roughly the same but in grays). In Memory of My Feelings, which takes as its title a poem by Frank O’Hara, broods on the work of Hart Crane. Both poets died untimely deaths: O’Hara in a freak accident on Fire Island and Crane as a suicide jumping into the sea. The pictures accordingly are elegiac, conflating death, art, eros, and water. Near the Lagoon is made of salvaged fragments and layers of unpigmented wax; it invokes Manet’s Execution of Maximilian as an ellipse is transformed, in a series of elegant permutations, until it evokes a noose and a shroud. Fool’s House comically deflates the rarefied notion of the artist by showing an actual broom making a broad sweep as if it were a paintbrush.

Johns is an admirable artist and it is wonderful to contemplate his devotion to craft, as well as his stamina. The show is accompanied by an excellent catalogue that collects essays on Johns’s work. Especially worthwhile is one by James Rondeau who examines Johns’s “production of meaning.”

The exhibition was organized by the Art Institute of Chicago in cooperation with the Metropolitan Museum of Art. Visit the Met’s Web site to see more at www.metmuseum.org. "Jasper Johns: Gray" was on view at the Art Institute of Chicago from Nov. 3, 2007 through Jan. 6.

Image above: Jasper Johns, Fool's House (1962, oil on canvas with objects, 72x36)
Collection of Jean-Christophe Castelli, on loan to the Walker Art Center, Minneapolis
© Jasper Johns/Licensed by VAGA, New York, NY. Photo: Jamie M. Stukenberg / Professional Graphics Inc., Rockford, Illinois.


By Maureen Bloomfield | Exhibits | Notable Artists
3/6/2008 11:15:51 AM (Eastern Standard Time, UTC-05:00)  #  Comments [6] 
 Tuesday, February 19, 2008
Galleries I'd love to see
Three good reasons to travel to New York in the next month:

Honey Space: As The New York Times describes it, "Approximately 800 square feet, ground floor, no windows, no heat, no drain pipe under the sink (slop bucket required), constant traffic noise, fine coating of black gunk on everything." A no-frills free-for-all.
Ongoing.
148 11th Ave. (Chelsea)

Be Kind Rewind: Director Michel Gondry's teamed up with Deitch Projects to recreate the video store from his latest movie in a gallery.
Through March 22.
18 Wooster St. (Soho)

Chris Ware: "Drawings for New York Periodicals" at Adam Baumgold Gallery displays the master cartoonist's recent illustrations for The New Yorker and The New York Times.
Through March 15.
74 E. 79th St. (Upper East Side)


By Grace Dobush | Exhibits | Shows and Events
2/19/2008 1:22:40 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0] 
 Wednesday, February 13, 2008
Artists in love
Just in time for Valentine's Day, the Smithsonian presents "A Thousand Kisses: Love Letters from the Archives of American Art," a collection of ephemera revealing the love lives of of painters, sculptors and illustrators from the mid-19th century to the late 20th.

As the Smithsonian's Eye Level blog notes:

One of the most heartbreaking is from Lee Krasner to her husband, Jackson Pollock, written in the summer of 1956 when she was in Paris and he was on Long Island. "It would be wonderful to get a note from you ... The painting hear [sic] is unbelievably bad (How are you Jackson?)." A few weeks later, Pollock was killed in a car crash while Krasner was still in Paris.

The striking portrait of the two from 1946 is on display as an oversized wall image. Also in the collection, notes and drawings from Paul Bransom, Frida Kahlo, Joan Mitchell and Franz Kline.

"A Thousand Kisses" is on display through May 30 at the Lawrence A. Fleischman Gallery in Washington, DC.

Image credit: Jackson Pollock and Lee Krasner, ca. 1946. Photograph by Ronald Stein. Jackson Pollock and Lee Krasner papers, ca. 1905-1984. Archives of American Art, Smithsonian Institution.


By Grace Dobush | Exhibits | Notable Artists
2/13/2008 1:19:44 PM (Eastern Standard Time, UTC-05:00)  #  Comments [2] 
 Friday, January 25, 2008
 Tuesday, January 08, 2008
Cave paintings in danger
The CBC reports that the prehistoric art in France's Lascaux caves is being threatened by mold.

The French government has closed off the caverns entirely and to replace the air circulation system to try to save the drawings, estimated to be at least 15,000 years old. Historians believe hunter-gatherers drew the mineral-pigment paintings that include images of horses, bulls, birds and a rhinoceros.

The caves have been closed to the public since 1963, but wannabe spelunkers can explore a nearby replica of two of the Lascaux caves. Tourism ends up being a problem at a lot of attractions, both natural and art-based: Simply by being there, you're altering what you came to see.


By Grace Dobush | Exhibits | News
1/8/2008 1:13:33 PM (Eastern Standard Time, UTC-05:00)  #  Comments [1] 
 Monday, December 31, 2007
Last post of 2007!
Hey, everyone! I hope your holidays were wonderful and relaxing. I'm no pagan, but, man, was I glad to see the solstice. The days only get longer from here!

I attempted to post from home but couldn't log in—c'est la vie. So here's some good reading I've come across in the last little while. Happy new year!

The New York Times on the Ashcan School
Cityscapes painter Herman Rose passes away
Jacob Lawrence's Migration of the Negro
Schools catering to booming interest in comics (via ArtsJournal)
Exhibit shows "extreme embroidery"


By Grace Dobush | Exhibits | News
12/31/2007 2:51:02 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0] 
 Wednesday, December 19, 2007
Lucian Freud slide show
Slate does it again: Another great slide show, this time of Lucian Freud's etchings, which are on display at the Museum of Modern Art. I have to admit I didn't know much about the painter until this slide show, so if you're looking for an introduction to his life and style, this is a great place to start.

Lucian Freud: The Painter's Etchings is on display at MoMa until March 10.


By Grace Dobush | Exhibits | Notable Artists
12/19/2007 1:47:02 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0] 
 Wednesday, December 12, 2007
The Museum of Bad Art
We may have linked to it before, but it bears repeating: Art so bad it's good. Not for the faint of heart.

By Grace Dobush | Cool Web sites | Exhibits
12/12/2007 3:59:22 PM (Eastern Standard Time, UTC-05:00)  #  Comments [0] 
 Tuesday, December 11, 2007
Is this exhibit all that it's cracked up to be?
I've read with some glee the recent stories about Doris Salcedo's Shibboleth, an installation piece at London's Tate Modern that is a 500-foot crack in the floor. In particular, I am endlessly amused by all the reports of museum visitors who have fallen into it.

There are varying reports of exactly how many people have been injured by Shibboleth, but in a New York Times story today, the reporter writes about witnessing such an event:

Two visitors from the Netherlands, Manon Straatman and her husband, Victor, were equally mystified by the perils of "Shibboleth."

"Maybe someone walks into the museum and isn't interested in what's in the museum," Mrs. Straatman mused.

Mr. Straatman said the crack was modest in its width and depth, hardly the sort of gaping abyss into which you might plummet to your doom.

"Oh look, there's someone falling now," he said suddenly.

Indeed there was: A woman nearby had caught her foot in the crack and pitched awkwardly forward, ending up sprawled on the floor.

In the description of the work, Salcedo talks about examining the legacy of racism and colonialism; a shibboleth, after all, is a custom or way of using language that is used to test a person's membership of a group, ethnic or otherwise. In a way, Shibboleth seems like a test for museum visitors, kind of like those signs you see on carnival rides—"You must be this smart to enter the exhibit."

By Grace Dobush | Exhibits | News
12/11/2007 3:27:10 PM (Eastern Standard Time, UTC-05:00)  #  Comments [2] 
 Wednesday, November 07, 2007
If it ain't Baroque...
A current National Gallery exhibition, The Baroque Woodcut, features scores of master prints from the 16th and 17th centuries. The craftsmanship involved in woodcuts amazes me. (I tried my hand at woodcuts in an intaglio printmaking class in college, and they are not easy.)

The biggest piece in the show, Procession of the Doge in the Piazza San Marco, Venice by Jost Amman, was printed from 14 separate blocks for the image and five more for lettered text that runs across the top, the Washington Post reports. Most of the prints in the show are small, but they still command your attention.

The Baroque Woodcut is on display at the National Gallery in Washington, D.C., until March 30, 2008.

Image of Herodias and Salome by Bartolomeo Coriolano after Guido Reni from the National Gallery.


By Grace Dobush | Exhibits | Notable Artists
11/7/2007 10:23:07 AM (Eastern Standard Time, UTC-05:00)  #  Comments [0] 
 Wednesday, October 31, 2007
Dive into Seurat slideshows
This past week, the first exhibit in more than 25 years to focus exclusively on the drawings of Georges Seurat opened at the Museum of Modern Art in New York. Though he's best known as the father of Neo-impressionism and pointillism, his studies in Conté crayon have been described as "the most beautiful painter's drawings in existence."

You can get a sneak peek at the work in an online slideshow from MoMA and a slideshow from Slate.com. The MoMA slideshow (which requires Adobe Flash and Acrobat) focuses on his sketchbooks, subjects and conservation. The Slate slideshow looks at his relationship with art critic and anarchist Félix Fénéon, who championed Seurat's work and helped get it in the public eye.

Georges Seurat: The Drawings is on display at MoMA until January 7, 2008, with many related lectures and talks in the coming month.


By Grace Dobush | Notable Artists | Exhibits
10/31/2007 1:47:52 PM (Eastern Daylight Time, UTC-04:00)  #  Comments [0] 
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