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    <title>The Artist's Magazine</title>
    <link>http://artistsblog.artistsnetwork.com/</link>
    <description>Blog</description>
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                    <img src="http://artistsblog.artistsnetwork.com/content/binary/2921-show2.jpg" alt="2921-show2.jpg" align="left" border="0" height="294" hspace="5" vspace="5" width="244" />Rarely,
                     perhaps never before now, does one have the opportunity to view in person the work
                     of 25 international artists in a show exclusively featuring scratchboard works. <i>Scratching
                     the Surface</i> is running now until March 26 at the <a href="http://www.deanjohnson.com/">Dean
                     Johnson Gallery</a> in Indianapolis, Indiana. Members of the <a href="http://www.wetcanvas.com/forums/forumdisplay.php?s=&amp;forumid=347">WetCanvas
                     scratchboard art forum</a> helped bring the show together, with works submitted from
                     the United States, Canada, Germany, New Zealand and Australia.<br /></div>
                  <br />
                  Worth a visit, I’d say, but if you just can’t make it to Indianapolis this month, <a href="http://www.wetcanvas.com/forums/showthread.php?t=551268">check
                  out the pics</a> on the WetCanvas scratchboard forum.<br /><br /></div>
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      <title>International Scratchboard Show</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,8f0375a8-0e2b-4c93-989a-3c8bd765eb4f.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/International+Scratchboard+Show.aspx</link>
      <pubDate>Tue, 17 Mar 2009 14:28:21 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;
            &lt;div&gt;
               &lt;div align="left"&gt;&lt;img src="http://artistsblog.artistsnetwork.com/content/binary/2921-show2.jpg" alt="2921-show2.jpg" align="left" border="0" height="294" hspace="5" vspace="5" width="244"&gt;Rarely,
                  perhaps never before now, does one have the opportunity to view in person the work
                  of 25 international artists in a show exclusively featuring scratchboard works. &lt;i&gt;Scratching
                  the Surface&lt;/i&gt; is running now until March 26 at the &lt;a href="http://www.deanjohnson.com/"&gt;Dean
                  Johnson Gallery&lt;/a&gt; in Indianapolis, Indiana. Members of the &lt;a href="http://www.wetcanvas.com/forums/forumdisplay.php?s=&amp;amp;forumid=347"&gt;WetCanvas
                  scratchboard art forum&lt;/a&gt; helped bring the show together, with works submitted from
                  the United States, Canada, Germany, New Zealand and Australia.&lt;br&gt;
               &lt;/div&gt;
               &lt;br&gt;
               Worth a visit, I’d say, but if you just can’t make it to Indianapolis this month, &lt;a href="http://www.wetcanvas.com/forums/showthread.php?t=551268"&gt;check
               out the pics&lt;/a&gt; on the WetCanvas scratchboard forum.&lt;br&gt;
               &lt;br&gt;
            &lt;/div&gt;
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
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&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,8f0375a8-0e2b-4c93-989a-3c8bd765eb4f.aspx</comments>
      <category>By Holly Davis;Exhibits;News;Shows and Events</category>
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            <div>If you think you don't have time for the drawing-a-day regimen, check out Kyle
            T. Webster's blog, <a href="http://www.thedailyfigure.com">www.TheDailyFigure.com</a>.
            Webster says that his "figurative doodles" are "meant to inspire people to loosen
            up and appreciate the beauty that is possible with a few well chosen strokes of a
            brush or pen." 'Nuf said—I'm off to grab a pen.<br /><p></p><img src="http://artistsblog.artistsnetwork.com/content/binary/022.jpg" border="0" height="273" width="155" /><img src="http://artistsblog.artistsnetwork.com/content/binary/041.jpg" border="0" height="256" width="155" /><img src="http://artistsblog.artistsnetwork.com/content/binary/028.jpg" border="0" height="261" width="150" /><br />
            left to right:<br /><i>Thursday</i> (August 21, 2008)<br /><i>The Weight of Wednesday</i> (September 17, 2008)<br /><i>Friday Fun</i> (August 29, 2008)<br /></div>
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        <br />
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        <a href="http://www.artistsnetwork.com/artistsmagazine">Visit The Artist's Magazine
   online.</a>
      </body>
      <title>Go Figure!</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,c389090f-4829-4aec-a364-9970f00ac329.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Go+Figure.aspx</link>
      <pubDate>Thu, 25 Sep 2008 21:09:09 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;If you think you don't have time for the drawing-a-day regimen, check out Kyle
         T. Webster's blog, &lt;a href="http://www.thedailyfigure.com"&gt;www.TheDailyFigure.com&lt;/a&gt;.
         Webster says that his "figurative doodles" are "meant to inspire people to loosen
         up and appreciate the beauty that is possible with a few well chosen strokes of a
         brush or pen." 'Nuf said—I'm off to grab a pen.&lt;br&gt;
         &lt;p&gt;
         &lt;/p&gt;
         &lt;img src="http://artistsblog.artistsnetwork.com/content/binary/022.jpg" border="0" height="273" width="155"&gt;&lt;img src="http://artistsblog.artistsnetwork.com/content/binary/041.jpg" border="0" height="256" width="155"&gt;&lt;img src="http://artistsblog.artistsnetwork.com/content/binary/028.jpg" border="0" height="261" width="150"&gt;
         &lt;br&gt;
         left to right:&lt;br&gt;
         &lt;i&gt;Thursday&lt;/i&gt; (August 21, 2008)&lt;br&gt;
         &lt;i&gt;The Weight of Wednesday&lt;/i&gt; (September 17, 2008)&lt;br&gt;
         &lt;i&gt;Friday Fun&lt;/i&gt; (August 29, 2008)&lt;br&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=c389090f-4829-4aec-a364-9970f00ac329" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,c389090f-4829-4aec-a364-9970f00ac329.aspx</comments>
      <category>By Holly Davis;Cool Web sites</category>
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                  <img src="content/binary/shoehorn-1.jpg" border="0" />
                  <br />
                  <i>Shoe Horns</i> (ball point pen) by Donald Stewart<br /><br />
                  Donald Stewart, trained surgeon who gave up the medical profession because he preferred
                  art over scalpels for helping people feel better, dropped us a line at <i>The Artist's
                  Magazine</i> the other day to let us know about <b><a href="http://www.myfoxal.com/myfox/MyFox/pages/sidebar_video.jsp?contentId=7108150&amp;version=1&amp;locale=EN-US">his
                  interview with his local Fox affiliate</a></b>. Do watch it—it'll only take a few
                  minutes and you'll come away smiling and—feeling better.<br /><br />
                  That's what happened to me, anyway. Stewart creates what he calls composite drawings—renderings
                  of objects made up of other objects. Some works, like <i>Shoe Horns </i>(above), are
                  single visual puns, and some pile one visual pun on top of another so thickly that
                  Stewart provides a list of "ingredients," for those who want to be sure they don't
                  miss anything.<br /><br />
                  I was so intrigued, I did a some deep investigating (at least 10 minutes worth) and
                  discovered that <i>The Artist's Magazine </i>ran a piece on Stewart in our column, <i>The
                  Artist's Life</i>, back in January 1988. Sorry, that issue isn't available for sale
                  anymore, but all you longtime loyal subscribers can look it up. (You <i>knew </i>there
                  was a reason you kept those old issues!)<br /><br />
                  If your old issues don't go back that far (or even if they do) you can see more of
                  Stewart's art on his website at <b><a href="http://www.dsart.com/">www.dsart.com</a></b>.
               </div>
              </div>
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        <br />
        <hr />
        <a href="http://www.artistsnetwork.com/artistsmagazine">Visit The Artist's Magazine
   online.</a>
      </body>
      <title>Looks Punny</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,a06bf7ec-3e71-4cb7-af6a-5b7db59efdb0.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Looks+Punny.aspx</link>
      <pubDate>Fri, 19 Sep 2008 20:06:41 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;
            &lt;div&gt;&lt;img src="content/binary/shoehorn-1.jpg" border="0"&gt;
               &lt;br&gt;
               &lt;i&gt;Shoe Horns&lt;/i&gt; (ball point pen) by Donald Stewart&lt;br&gt;
               &lt;br&gt;
               Donald Stewart, trained surgeon who gave up the medical profession because he preferred
               art over scalpels for helping people feel better, dropped us a line at &lt;i&gt;The Artist's
               Magazine&lt;/i&gt; the other day to let us know about &lt;b&gt;&lt;a href="http://www.myfoxal.com/myfox/MyFox/pages/sidebar_video.jsp?contentId=7108150&amp;amp;version=1&amp;amp;locale=EN-US"&gt;his
               interview with his local Fox affiliate&lt;/a&gt;&lt;/b&gt;. Do watch it—it'll only take a few
               minutes and you'll come away smiling and—feeling better.&lt;br&gt;
               &lt;br&gt;
               That's what happened to me, anyway. Stewart creates what he calls composite drawings—renderings
               of objects made up of other objects. Some works, like &lt;i&gt;Shoe Horns &lt;/i&gt;(above), are
               single visual puns, and some pile one visual pun on top of another so thickly that
               Stewart provides a list of "ingredients," for those who want to be sure they don't
               miss anything.&lt;br&gt;
               &lt;br&gt;
               I was so intrigued, I did a some deep investigating (at least 10 minutes worth) and
               discovered that &lt;i&gt;The Artist's Magazine &lt;/i&gt;ran a piece on Stewart in our column, &lt;i&gt;The
               Artist's Life&lt;/i&gt;, back in January 1988. Sorry, that issue isn't available for sale
               anymore, but all you longtime loyal subscribers can look it up. (You &lt;i&gt;knew &lt;/i&gt;there
               was a reason you kept those old issues!)&lt;br&gt;
               &lt;br&gt;
               If your old issues don't go back that far (or even if they do) you can see more of
               Stewart's art on his website at &lt;b&gt;&lt;a href="http://www.dsart.com/"&gt;www.dsart.com&lt;/a&gt;&lt;/b&gt;.
            &lt;/div&gt;
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=a06bf7ec-3e71-4cb7-af6a-5b7db59efdb0" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,a06bf7ec-3e71-4cb7-af6a-5b7db59efdb0.aspx</comments>
      <category>By Holly Davis;Cool Web sites;Notable Artists;Videos</category>
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                        <br />
                        <img src="content/binary/nude-processed.jpg" alt="nude-processed.jpg" align="left" border="0" height="155" hspace="10" vspace="10" width="216" />
                        <br />
                           Judging from the enthusiastic response we've had to our <a href="http://www.fwmagazines.com/product/895/55">April
                           cover</a> artist,  Sharon Sprung, those of you who live in the New York City
                           area will want to be sure to catch her solo show at <a href="http://www.galleryhenoch.com/">Gallery
                           H</a><a href="http://www.galleryhenoch.com/">enoch</a>, starting today, Thursday,
                           September 11.<br /><a href="http://sharonsprung.com/"><img src="content/binary/bowls%20processed.jpg" alt="bowls processed.jpg" align="right" border="0" height="168" hspace="10" vspace="10" width="179" /></a><br />
                           Can't make the show? Then <a href="http://sharonsprung.com/">visit</a><a href="http://sharonsprung.com/"> her
                           websi</a><a href="http://sharonsprung.com/">te</a>. Better yet, get some personal
                           instruction from her video workshops, <i>Understanding V</i><i>a</i><i>lues in Skin
                           Tones with Sharon Sprung</i> and <i>Painting Facial Features with Sharon Sprung</i>,
                           produced for <a href="http://www.artistsnetwork.tv">ArtistsNetwork.TV</a><br /><br />
                           at top: <i>Harlequin</i> (oil on panel, 36x50)<br />
                           at right: <i>Bowls</i> (oil on panel, 34x36)<br />
                           Photos courtesy of Sharon Sprung
                        </div>
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      <title>Sharon Sprung: Solo Show</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,505aa5fa-3944-421a-84f8-09d87d2fe5ae.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Sharon+Sprung+Solo+Show.aspx</link>
      <pubDate>Thu, 11 Sep 2008 21:25:14 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
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            &lt;div&gt;
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                        &lt;br&gt;
                        &lt;img src="content/binary/nude-processed.jpg" alt="nude-processed.jpg" align="left" border="0" height="155" hspace="10" vspace="10" width="216"&gt;
                        &lt;br&gt;
                        Judging from the enthusiastic response we've had to our &lt;a href="http://www.fwmagazines.com/product/895/55"&gt;April
                        cover&lt;/a&gt; artist,&amp;nbsp; Sharon Sprung, those of you who live in the New York City
                        area will want to be sure to catch her solo show at &lt;a href="http://www.galleryhenoch.com/"&gt;Gallery
                        H&lt;/a&gt;&lt;a href="http://www.galleryhenoch.com/"&gt;enoch&lt;/a&gt;, starting today, Thursday,
                        September 11.&lt;br&gt;
                        &lt;a href="http://sharonsprung.com/"&gt;&lt;img src="content/binary/bowls%20processed.jpg" alt="bowls processed.jpg" align="right" border="0" height="168" hspace="10" vspace="10" width="179"&gt;&lt;/a&gt;
                        &lt;br&gt;
                        Can't make the show? Then &lt;a href="http://sharonsprung.com/"&gt;visit&lt;/a&gt;&lt;a href="http://sharonsprung.com/"&gt; her
                        websi&lt;/a&gt;&lt;a href="http://sharonsprung.com/"&gt;te&lt;/a&gt;. Better yet, get some personal
                        instruction from her video workshops, &lt;i&gt;Understanding V&lt;/i&gt;&lt;i&gt;a&lt;/i&gt;&lt;i&gt;lues in Skin
                        Tones with Sharon Sprung&lt;/i&gt; and &lt;i&gt;Painting Facial Features with Sharon Sprung&lt;/i&gt;,
                        produced for &lt;a href="http://www.artistsnetwork.tv"&gt;ArtistsNetwork.TV&lt;/a&gt; 
                        &lt;br&gt;
                        &lt;br&gt;
                        at top: &lt;i&gt;Harlequin&lt;/i&gt; (oil on panel, 36x50)&lt;br&gt;
                        at right: &lt;i&gt;Bowls&lt;/i&gt; (oil on panel, 34x36)&lt;br&gt;
                        Photos courtesy of Sharon Sprung
                     &lt;/div&gt;
                  &lt;/div&gt;
               &lt;/div&gt;
            &lt;/div&gt;
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
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&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,505aa5fa-3944-421a-84f8-09d87d2fe5ae.aspx</comments>
      <category>By Holly Davis;Notable Artists;Shows and Events</category>
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              <img src="http://artistsblog.artistsnetwork.com/content/binary/Aerial-image-of-blocks.jpg" alt="Aerial-image-of-blocks.jpg" align="left" border="0" height="251" hspace="5" vspace="5" width="315" />
              <br />
            … a place to rest the body and the eyes. Sculptor S. Gallina Simpson has just begun
            carving <i>The Stones at Atlas Park</i>, three sculpted limestone benches at The Shops
            of Atlas Park in Glendale, New York. She plans to hammer, chisel, saw, sand and grind
            seven days a week until the project is complete in late September. (My arms ache just
            thinking about it.)<br /><br />
            Although now in their permanent home, the 23 tons of limestone that will make up the
            benches/sculptures are remarkably well traveled, having been quarried a year ago in
            Bloomington, Indiana, and then shipped to a sculpture fabricator in New Jersey. After
            having the blocks hewed to the necessary basic shapes, Simpson further shaped the
            stones with handheld tools. Simpson will allow final design details to evolve during
            her carving, as nearby architecture, landscape, history and the play of light and
            shadow weigh in their influences.<br /><img src="http://artistsblog.artistsnetwork.com/content/binary/Sculptor-carving-with-cutsa.jpg" alt="Sculptor-carving-with-cutsa.jpg" align="right" border="0" height="360" hspace="5" vspace="5" width="270" /><br />
            If you live in the Glendale area, you can stop by periodically this month to see the
            sculpted benches taking shape. Otherwise, I’d suggest visiting<b><a href="http://picasaweb.google.com/create4stone">Simpson’s
            website</a></b> to see a slide show of her Atlas Park sculpture plus pictures of her
            previous work—both benches and figurative pieces. 
            <br /><br />
            Photos used by permission;<br />
            at top: aerial view of blocks<br />
            at right: sculptor S. Gallina Simpson carving with a cutsaw<br /></div>
          </div>
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        <br />
        <hr />
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   online.</a>
      </body>
      <title>23 Tons and Whadya Get?</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,b8c83a66-0514-4f6c-b42c-bad6032701f4.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/23+Tons+And+Whadya+Get.aspx</link>
      <pubDate>Thu, 04 Sep 2008 20:55:07 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;&lt;img src="http://artistsblog.artistsnetwork.com/content/binary/Aerial-image-of-blocks.jpg" alt="Aerial-image-of-blocks.jpg" align="left" border="0" height="251" hspace="5" vspace="5" width="315"&gt;
         &lt;br&gt;
         … a place to rest the body and the eyes. Sculptor S. Gallina Simpson has just begun
         carving &lt;i&gt;The Stones at Atlas Park&lt;/i&gt;, three sculpted limestone benches at The Shops
         of Atlas Park in Glendale, New York. She plans to hammer, chisel, saw, sand and grind
         seven days a week until the project is complete in late September. (My arms ache just
         thinking about it.)&lt;br&gt;
         &lt;br&gt;
         Although now in their permanent home, the 23 tons of limestone that will make up the
         benches/sculptures are remarkably well traveled, having been quarried a year ago in
         Bloomington, Indiana, and then shipped to a sculpture fabricator in New Jersey. After
         having the blocks hewed to the necessary basic shapes, Simpson further shaped the
         stones with handheld tools. Simpson will allow final design details to evolve during
         her carving, as nearby architecture, landscape, history and the play of light and
         shadow weigh in their influences.&lt;br&gt;
         &lt;img src="http://artistsblog.artistsnetwork.com/content/binary/Sculptor-carving-with-cutsa.jpg" alt="Sculptor-carving-with-cutsa.jpg" align="right" border="0" height="360" hspace="5" vspace="5" width="270"&gt;
         &lt;br&gt;
         If you live in the Glendale area, you can stop by periodically this month to see the
         sculpted benches taking shape. Otherwise, I’d suggest visiting&lt;b&gt; &lt;a href="http://picasaweb.google.com/create4stone"&gt;Simpson’s
         website&lt;/a&gt;&lt;/b&gt; to see a slide show of her Atlas Park sculpture plus pictures of her
         previous work—both benches and figurative pieces. 
         &lt;br&gt;
         &lt;br&gt;
         Photos used by permission;&lt;br&gt;
         at top: aerial view of blocks&lt;br&gt;
         at right: sculptor S. Gallina Simpson carving with a cutsaw&lt;br&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=b8c83a66-0514-4f6c-b42c-bad6032701f4" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,b8c83a66-0514-4f6c-b42c-bad6032701f4.aspx</comments>
      <category>By Holly Davis;News;Notable Artists</category>
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            <br />
            <br />
            <img src="http://artistsblog.artistsnetwork.com/content/binary/swimming-1.jpg" border="0" />
            <br />
            <br />
         The China Olympics are over, but sports themselves seem to be as old as civilization—or
         the human <i>race</i>, if you’ll pardon the pun. I’m fascinated by the series of works
         by Australian aboriginal artist, Wingla Dada (also known as Brian Fisher), depicting
         the legend-based origins of various sports. 
         <br /><br />
         In <i>The Origin of Swimming</i> (above), the Rainbow Serpent is seen carving out
         the canals that became rivers and streams. In the center is an early aboriginal swimmer,
         attempting to imitate the superior swimming technique of fish.<br /><br />
         I recommend taking a look at Wingla Dada’s entire series,<i><a href="http://www.authenticaboriginalart.com/"><b>An
         Aboriginal Version of the Olympic Games</b></a></i> and reading about the legends
         behind the works. And if you like that series, you’ll also want to check out the artist's <b><a href="http://www.austourism.com.au/aboriginal_art/pages/art.htm">Dreamtime</a></b> series. 
         <br /><br /></div>
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        <br />
        <hr />
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   online.</a>
      </body>
      <title>The Race Goes On</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,7efe4bf3-7804-468e-9617-d3d6d174baed.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/The+Race+Goes+On.aspx</link>
      <pubDate>Fri, 29 Aug 2008 15:41:12 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;br&gt;
      &lt;br&gt;
      &lt;img src="http://artistsblog.artistsnetwork.com/content/binary/swimming-1.jpg" border="0"&gt;
      &lt;br&gt;
      &lt;br&gt;
      The China Olympics are over, but sports themselves seem to be as old as civilization—or
      the human &lt;i&gt;race&lt;/i&gt;, if you’ll pardon the pun. I’m fascinated by the series of works
      by Australian aboriginal artist, Wingla Dada (also known as Brian Fisher), depicting
      the legend-based origins of various sports. 
      &lt;br&gt;
      &lt;br&gt;
      In &lt;i&gt;The Origin of Swimming&lt;/i&gt; (above), the Rainbow Serpent is seen carving out
      the canals that became rivers and streams. In the center is an early aboriginal swimmer,
      attempting to imitate the superior swimming technique of fish.&lt;br&gt;
      &lt;br&gt;
      I recommend taking a look at Wingla Dada’s entire series,&lt;i&gt; &lt;a href="http://www.authenticaboriginalart.com/"&gt;&lt;b&gt;An
      Aboriginal Version of the Olympic Games&lt;/b&gt;&lt;/a&gt;&lt;/i&gt; and reading about the legends
      behind the works. And if you like that series, you’ll also want to check out the artist's &lt;b&gt;&lt;a href="http://www.austourism.com.au/aboriginal_art/pages/art.htm"&gt;Dreamtime&lt;/a&gt;&lt;/b&gt; series. 
      &lt;br&gt;
      &lt;br&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=7efe4bf3-7804-468e-9617-d3d6d174baed" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,7efe4bf3-7804-468e-9617-d3d6d174baed.aspx</comments>
      <category>By Holly Davis;Notable Artists</category>
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                <br />
               Ever wonder how many working artists there are in the United States? Answer: Almost
               two million (as of 2005). That number includes all types of artists—painters, designers,
               writers, dancers, etc. If you’re only talking about people like fine artists, art
               directors and animators, the number slips to about 217,000—still a hefty representation. 
               <br /><br />
               Ever wonder how much money the average artist earns in a year? Or what percentage
               of artists are male or female or members of a minority? Or what the average level
               of education is for artists? Ever wonder what city boasts the highest number of artists?
               (Hint: If you’re talking about fine artists, art directors and animators, the answer <i>isn’t</i> New
               York—<i>nor</i> Los Angeles.) 
               <br /><br />
               You can find answers to all these questions and more in the newly released report, <i>Artists
               in the Workforce: 1990-2005</i>, created by the <b><a href="http://www.nea.gov/">National
               Endowment for the Arts</a></b>. Download a<b><a href="http://www.nea.gov/research/ResearchReports_chrono.html">free
               PDF</a></b> of this surprisingly readable and easy-to-navigate 148-page report (or
               the eight-page summary) and get the facts—on artists. 
               <br /><br /><p></p></div>
            </div>
          </div>
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        <br />
        <hr />
        <a href="http://www.artistsnetwork.com/artistsmagazine">Visit The Artist's Magazine
   online.</a>
      </body>
      <title>Just the Facts—on Artists</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,f51d7e00-3d2e-4f49-9408-25b2b5b3bc6e.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Just+The+Factson+Artists.aspx</link>
      <pubDate>Fri, 22 Aug 2008 14:57:21 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;
            &lt;br&gt;
            Ever wonder how many working artists there are in the United States? Answer: Almost
            two million (as of 2005). That number includes all types of artists—painters, designers,
            writers, dancers, etc. If you’re only talking about people like fine artists, art
            directors and animators, the number slips to about 217,000—still a hefty representation. 
            &lt;br&gt;
            &lt;br&gt;
            Ever wonder how much money the average artist earns in a year? Or what percentage
            of artists are male or female or members of a minority? Or what the average level
            of education is for artists? Ever wonder what city boasts the highest number of artists?
            (Hint: If you’re talking about fine artists, art directors and animators, the answer &lt;i&gt;isn’t&lt;/i&gt; New
            York—&lt;i&gt;nor&lt;/i&gt; Los Angeles.) 
            &lt;br&gt;
            &lt;br&gt;
            You can find answers to all these questions and more in the newly released report, &lt;i&gt;Artists
            in the Workforce: 1990-2005&lt;/i&gt;, created by the &lt;b&gt;&lt;a href="http://www.nea.gov/"&gt;National
            Endowment for the Arts&lt;/a&gt;&lt;/b&gt;. Download a&lt;b&gt; &lt;a href="http://www.nea.gov/research/ResearchReports_chrono.html"&gt;free
            PDF&lt;/a&gt;&lt;/b&gt; of this surprisingly readable and easy-to-navigate 148-page report (or
            the eight-page summary) and get the facts—on artists. 
            &lt;br&gt;
            &lt;br&gt;
            &lt;p&gt;
            &lt;/p&gt;
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=f51d7e00-3d2e-4f49-9408-25b2b5b3bc6e" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,f51d7e00-3d2e-4f49-9408-25b2b5b3bc6e.aspx</comments>
      <category>By Holly Davis;Downloads;Free Stuff</category>
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                      <br />
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                          <img src="content/binary/003Palmer.jpg" alt="003Palmer.jpg" align="left" border="0" height="140" hspace="10" vspace="10" width="200" />
                          <br />
                              “Leave a light in the window” has taken on a whole new scope of meaning at the Franklin
                              Park Conservatory in Columbus, Ohio, since last Friday. That’s the day artist James
                              Turrell’s permanent installation of a light show first lit up Palm House, the conservatory’s
                              Victorian-style greenhouse. Seven thousand inconspicuously strung, low-voltage, light-emitting
                              (LED) bulbs now emit a glowing display of changing jewel-like hues from dusk-to-dawn. 
                              <br /><br /><a href="http://www.dispatch.com/live/content/life/stories/2008/08/07/0_PALM_HOUSE_--_timely.ART_ART_08-07-08_D1_19AV6FV.html?sid=101">Click
                              here</a> for the Columbus Dispatch article about the Palm House installation.<br /><br />
                              Turrell, the artistic mastermind of the Palm House installation, is no neophyte when
                              it comes to light shows, having put on 140 solo exhibitions worldwide since 1967—utilizing
                              many types of artificial light, including neon, fiber optics, fluorescents and lasers.
                              He’s best known for his 35-year project at the Roden Crater, a natural cinder volcano
                              in Arizona’s Painted Desert. 
                              <br /><br /><a href="http://www.pbs.org/art21/artists/turrell/index.html#">Click here</a> for
                              a PBS biography of Turrell plus multimedia links about his work.<a href="http://www.pbs.org/art21/artists/turrell/index.html#"><img src="content/binary/001Palmer.jpg" alt="001Palmer.jpg" align="bottom" border="0" height="146" hspace="5" vspace="10" width="200" /></a><img src="http://artistsblog.artistsnetwork.com/content/binary/004Palmer.jpg" alt="004Palmer.jpg" align="bottom" border="0" height="140" hspace="5" vspace="10" width="200" /><br /><br />
                              Photography © Brad Feinknopf 2008<br /></div>
                      </div>
                    </div>
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                </div>
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          </div>
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        <br />
        <hr />
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   online.</a>
      </body>
      <title>See the Light</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,f2d49015-1aa1-4050-ab55-648219c8ee46.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/See+The+Light.aspx</link>
      <pubDate>Thu, 14 Aug 2008 22:19:24 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;
            &lt;div&gt;
               &lt;div&gt;
                  &lt;div&gt;
                     &lt;br&gt;
                     &lt;div&gt;
                        &lt;div&gt;&lt;img src="content/binary/003Palmer.jpg" alt="003Palmer.jpg" align="left" border="0" height="140" hspace="10" vspace="10" width="200"&gt;
                           &lt;br&gt;
                           “Leave a light in the window” has taken on a whole new scope of meaning at the Franklin
                           Park Conservatory in Columbus, Ohio, since last Friday. That’s the day artist James
                           Turrell’s permanent installation of a light show first lit up Palm House, the conservatory’s
                           Victorian-style greenhouse. Seven thousand inconspicuously strung, low-voltage, light-emitting
                           (LED) bulbs now emit a glowing display of changing jewel-like hues from dusk-to-dawn. 
                           &lt;br&gt;
                           &lt;br&gt;
                           &lt;a href="http://www.dispatch.com/live/content/life/stories/2008/08/07/0_PALM_HOUSE_--_timely.ART_ART_08-07-08_D1_19AV6FV.html?sid=101"&gt;Click
                           here&lt;/a&gt; for the Columbus Dispatch article about the Palm House installation.&lt;br&gt;
                           &lt;br&gt;
                           Turrell, the artistic mastermind of the Palm House installation, is no neophyte when
                           it comes to light shows, having put on 140 solo exhibitions worldwide since 1967—utilizing
                           many types of artificial light, including neon, fiber optics, fluorescents and lasers.
                           He’s best known for his 35-year project at the Roden Crater, a natural cinder volcano
                           in Arizona’s Painted Desert. 
                           &lt;br&gt;
                           &lt;br&gt;
                           &lt;a href="http://www.pbs.org/art21/artists/turrell/index.html#"&gt;Click here&lt;/a&gt; for
                           a PBS biography of Turrell plus multimedia links about his work.&lt;a href="http://www.pbs.org/art21/artists/turrell/index.html#"&gt;&lt;img src="content/binary/001Palmer.jpg" alt="001Palmer.jpg" align="bottom" border="0" height="146" hspace="5" vspace="10" width="200"&gt;&lt;/a&gt;&lt;img src="http://artistsblog.artistsnetwork.com/content/binary/004Palmer.jpg" alt="004Palmer.jpg" align="bottom" border="0" height="140" hspace="5" vspace="10" width="200"&gt;
                           &lt;br&gt;
                           &lt;br&gt;
                           Photography © Brad Feinknopf 2008&lt;br&gt;
                        &lt;/div&gt;
                     &lt;/div&gt;
                  &lt;/div&gt;
               &lt;/div&gt;
            &lt;/div&gt;
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=f2d49015-1aa1-4050-ab55-648219c8ee46" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,f2d49015-1aa1-4050-ab55-648219c8ee46.aspx</comments>
      <category>By Holly Davis;Exhibits;Notable Artists</category>
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                  <img src="http://artistsblog.artistsnetwork.com/content/binary/The-Cardinal.jpg" alt="The-Cardinal.jpg" align="right" border="0" height="363" hspace="5" vspace="5" width="263" />
                  <br />
                  Watercolorist Paul Jackson is "Team America" in The International Watercolor Masters
                  Invitational Exhibition at Lu Mountain in China, billed as featuring the "top 20 watercolorists
                  from around the world." Not only is he one of a mere three Americans invited (and
                  the only one to make the trip) but also, tonight he addresses 2000 Chinese and 20
                  international artists at the opening dinner. To the left is <i>The Cardinal</i> (National
                  Cathedral in Washington D.C.)—one of the three architectural paintings Jackson will
                  have on view during the exhibition. 
                  <br /><br />
                  And Jackson will be creating more art as he competes in a sort of <i>plein air</i> paint-off
                  with acclaimed Chinese watercolorists. Some of the resulting artwork will be donated
                  to help those affected by earthquakes in southwest China.<br /><br />
                  Wish you were there? Check out Jackson's travel blog at <b><a href="http://www.pauljackson.com/blog/">www.pauljackson.com/blog/</a></b>. 
                  <br /><br />
                  Want to see more of Jackson's work? Go to his<a href="http://www.pauljackson.com"> website <b>(www.pauljackson.com)</b></a> and
                  check out his feature article in the <a href="http://www.fwmagazines.com/product/883/56"><b>April
                  2008 issue of</b></a><b><a href="http://www.fwmagazines.com/product/883/56"><i>Watercolor
                  Artist</i></a>.</b><br /><p></p></div>
              </div>
            </div>
          </div>
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        <br />
        <hr />
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   online.</a>
      </body>
      <title>Watercolorist Paul Jackson competes in China</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,eb95ae21-335d-466c-957c-e2217d3344fd.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Watercolorist+Paul+Jackson+Competes+In+China.aspx</link>
      <pubDate>Fri, 08 Aug 2008 16:50:59 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;
            &lt;div&gt;&lt;img src="http://artistsblog.artistsnetwork.com/content/binary/The-Cardinal.jpg" alt="The-Cardinal.jpg" align="right" border="0" height="363" hspace="5" vspace="5" width="263"&gt;
               &lt;br&gt;
               Watercolorist Paul Jackson is "Team America" in The International Watercolor Masters
               Invitational Exhibition at Lu Mountain in China, billed as featuring the "top 20 watercolorists
               from around the world." Not only is he one of a mere three Americans invited (and
               the only one to make the trip) but also, tonight he addresses 2000 Chinese and 20
               international artists at the opening dinner. To the left is &lt;i&gt;The Cardinal&lt;/i&gt; (National
               Cathedral in Washington D.C.)—one of the three architectural paintings Jackson will
               have on view during the exhibition. 
               &lt;br&gt;
               &lt;br&gt;
               And Jackson will be creating more art as he competes in a sort of &lt;i&gt;plein air&lt;/i&gt; paint-off
               with acclaimed Chinese watercolorists. Some of the resulting artwork will be donated
               to help those affected by earthquakes in southwest China.&lt;br&gt;
               &lt;br&gt;
               Wish you were there? Check out Jackson's travel blog at &lt;b&gt;&lt;a href="http://www.pauljackson.com/blog/"&gt;www.pauljackson.com/blog/&lt;/a&gt;&lt;/b&gt;. 
               &lt;br&gt;
               &lt;br&gt;
               Want to see more of Jackson's work? Go to his&lt;a href="http://www.pauljackson.com"&gt; website &lt;b&gt;(www.pauljackson.com)&lt;/b&gt;&lt;/a&gt; and
               check out his feature article in the &lt;a href="http://www.fwmagazines.com/product/883/56"&gt;&lt;b&gt;April
               2008 issue of&lt;/b&gt; &lt;/a&gt;&lt;b&gt;&lt;a href="http://www.fwmagazines.com/product/883/56"&gt;&lt;i&gt;Watercolor
               Artist&lt;/i&gt;&lt;/a&gt;.&lt;/b&gt;
               &lt;br&gt;
               &lt;p&gt;
               &lt;/p&gt;
            &lt;/div&gt;
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=eb95ae21-335d-466c-957c-e2217d3344fd" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,eb95ae21-335d-466c-957c-e2217d3344fd.aspx</comments>
      <category>By Holly Davis;Exhibits;Notable Artists</category>
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            <div>
              <br />
            Those flyers, print ads, greeting cards and postcards are valuable art materials!
            At least they are in the hands of S.A. Schimmel Gold, who cuts them into bits and
            pieces for her mosaic portraits. Why use paper? As she puts it, “ink colors are far
            more diverse than glass or tile.”<br /><br /><a href="http://schimmelart.com/index.htm"><img src="content/binary/venus810blog.jpg" border="0" /></a>  <img src="content/binary/venusdetailblog2.jpg" border="0" /><br /><font size="2"><i>Metallic Venus </i>(18x24) and detail, by S.A. Schimmel Gold</font><br /><br /><br /><a href="http://schimmelart.com/index.htm"><img src="content/binary/midoriblog.jpg" border="0" /></a><br /><i><font size="2">Turning Leaf</font></i><font size="2"> by S.A. Schimmel Gold</font><br /><br />
            To be wowed by more of Schimmel Gold’s work, <b><a href="http://schimmelart.com/index.htm">visit
            her website</a><a href="http://schimmelart.com/index.htm"> at http://schimmelart.c</a></b><b><a href="http://schimmelart.com/index.htm">om</a></b><b><a href="http://schimmelart.com/index.htm">/index.htm</a></b>.<br /><br />
            Most of Schimmel Gold’s portraits have a decidedly contemporary glam about them, yet
            the basic method of assembling tiny pieces of color to create a picture dates back
            4000 years. To see mosaics of every age and style (plus learn just about everything
            there is to know about the art) take a cyberspace stroll through <a href="http://www.thejoyofshards.co.uk/about.shtml%20"><b>www.thejoyofshards.co.uk</b></a>.<br /><br />
            Thinking about mosaics sent me on a nostalgic journey recalling other mosaics I’ve
            encountered (including the candy dish my sister made in early school years). Suddenly
            I remembered the mosaic on the outside front wall of the church I attended through
            much of my childhood. The church is on Cedar Road in Cleveland Heights, Ohio. Have
            any of you ever seen the mosaic? Let me know—or tell me about another mosaic that’s
            special to you. 
            <br /><br /><br /></div>
          </div>
        </div>
        <img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=0aa9c985-fd8f-4dde-ac93-ce5d0c526db0" />
        <br />
        <hr />
        <a href="http://www.artistsnetwork.com/artistsmagazine">Visit The Artist's Magazine
   online.</a>
      </body>
      <title>Save Your Junk Mail!</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,0aa9c985-fd8f-4dde-ac93-ce5d0c526db0.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Save+Your+Junk+Mail.aspx</link>
      <pubDate>Tue, 29 Jul 2008 19:17:52 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;br&gt;
         Those flyers, print ads, greeting cards and postcards are valuable art materials!
         At least they are in the hands of S.A. Schimmel Gold, who cuts them into bits and
         pieces for her mosaic portraits. Why use paper? As she puts it, “ink colors are far
         more diverse than glass or tile.”&lt;br&gt;
         &lt;br&gt;
         &lt;a href="http://schimmelart.com/index.htm"&gt;&lt;img src="content/binary/venus810blog.jpg" border="0"&gt;&lt;/a&gt;&amp;nbsp; &lt;img src="content/binary/venusdetailblog2.jpg" border="0"&gt;
         &lt;br&gt;
         &lt;font size="2"&gt;&lt;i&gt;Metallic Venus &lt;/i&gt;(18x24) and detail, by S.A. Schimmel Gold&lt;/font&gt;
         &lt;br&gt;
         &lt;br&gt;
         &lt;br&gt;
         &lt;a href="http://schimmelart.com/index.htm"&gt;&lt;img src="content/binary/midoriblog.jpg" border="0"&gt;&lt;/a&gt;
         &lt;br&gt;
         &lt;i&gt;&lt;font size="2"&gt;Turning Leaf&lt;/font&gt;&lt;/i&gt;&lt;font size="2"&gt; by S.A. Schimmel Gold&lt;/font&gt;
         &lt;br&gt;
         &lt;br&gt;
         To be wowed by more of Schimmel Gold’s work, &lt;b&gt;&lt;a href="http://schimmelart.com/index.htm"&gt;visit
         her website&lt;/a&gt;&lt;a href="http://schimmelart.com/index.htm"&gt; at http://schimmelart.c&lt;/a&gt;&lt;/b&gt;&lt;b&gt;&lt;a href="http://schimmelart.com/index.htm"&gt;om&lt;/a&gt;&lt;/b&gt;&lt;b&gt;&lt;a href="http://schimmelart.com/index.htm"&gt;/index.htm&lt;/a&gt;&lt;/b&gt;.&lt;br&gt;
         &lt;br&gt;
         Most of Schimmel Gold’s portraits have a decidedly contemporary glam about them, yet
         the basic method of assembling tiny pieces of color to create a picture dates back
         4000 years. To see mosaics of every age and style (plus learn just about everything
         there is to know about the art) take a cyberspace stroll through &lt;a href="http://www.thejoyofshards.co.uk/about.shtml%20"&gt;&lt;b&gt;www.thejoyofshards.co.uk&lt;/b&gt;&lt;/a&gt;.&lt;br&gt;
         &lt;br&gt;
         Thinking about mosaics sent me on a nostalgic journey recalling other mosaics I’ve
         encountered (including the candy dish my sister made in early school years). Suddenly
         I remembered the mosaic on the outside front wall of the church I attended through
         much of my childhood. The church is on Cedar Road in Cleveland Heights, Ohio. Have
         any of you ever seen the mosaic? Let me know—or tell me about another mosaic that’s
         special to you. 
         &lt;br&gt;
         &lt;br&gt;
         &lt;br&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=0aa9c985-fd8f-4dde-ac93-ce5d0c526db0" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,0aa9c985-fd8f-4dde-ac93-ce5d0c526db0.aspx</comments>
      <category>By Holly Davis;Cool Web sites;Notable Artists</category>
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              <div>Another Elvis sighting, folks. This time in a 1800-year-old marble carving owned
               by Australian antiquities collector, Graham Geddes. The resemblance of this piece
               to the 1950's King of Rock is startling, and this October you have a chance to make
               it your own (for a pretty price) at a Bonhams auction. Or you could settle for taking
               a look <a href="http://www.dailymail.co.uk/news/article-1037205/Are-Roman-tonight-Statue-Elvis-chiselled-1800-years-birth-goes-hammer.html">here.</a><br /><p></p></div>
            </div>
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        <br />
        <hr />
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   online.</a>
      </body>
      <title>Hey, Elvis! Statue?</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,0a988b73-d581-4058-9b42-96883f1de0d6.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Hey+Elvis+Statue.aspx</link>
      <pubDate>Tue, 22 Jul 2008 13:38:09 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;Another Elvis sighting, folks. This time in a 1800-year-old marble carving owned
            by Australian antiquities collector, Graham Geddes. The resemblance of this piece
            to the 1950's King of Rock is startling, and this October you have a chance to make
            it your own (for a pretty price) at a Bonhams auction. Or you could settle for taking
            a look &lt;a href="http://www.dailymail.co.uk/news/article-1037205/Are-Roman-tonight-Statue-Elvis-chiselled-1800-years-birth-goes-hammer.html"&gt;here.&lt;/a&gt;
            &lt;br&gt;
            &lt;p&gt;
            &lt;/p&gt;
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=0a988b73-d581-4058-9b42-96883f1de0d6" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,0a988b73-d581-4058-9b42-96883f1de0d6.aspx</comments>
      <category>By Holly Davis;News;Shows and Events</category>
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            <br />
         If you’ve ever driven a companion (or yourself) crazy by pacing back and forth and
         all around to get the best camera or easel angle for a landscape, you’ll appreciate
         this exercise I found about shape and space. 
         <br /><br />
         Here’s the idea: Imagine traveling in a large circle and taking four photographs along
         the way. After developing the photos, you get them out of order. Could you put them
         back in sequence on the basis of the spatial relationship of the structures you had
         passed? 
         <br /><br />
         Okay, now that you have the idea, check out <a href="http://www.learner.org/teacherslab/math/geometry/space/train/index.html">“I
         Took a Trip on a Train”</a> and see how you do.<br /><br />
         (Go to http://www.learner.org/teacherslab/math/geometry/space/train/index.html.)<br /><br /><p></p></div>
        </div>
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        <br />
        <hr />
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   online.</a>
      </body>
      <title>Shape and Space</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,790415f2-adec-4771-8eba-e1332b33fcd6.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Shape+And+Space.aspx</link>
      <pubDate>Thu, 17 Jul 2008 15:59:45 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;br&gt;
      If you’ve ever driven a companion (or yourself) crazy by pacing back and forth and
      all around to get the best camera or easel angle for a landscape, you’ll appreciate
      this exercise I found about shape and space. 
      &lt;br&gt;
      &lt;br&gt;
      Here’s the idea: Imagine traveling in a large circle and taking four photographs along
      the way. After developing the photos, you get them out of order. Could you put them
      back in sequence on the basis of the spatial relationship of the structures you had
      passed? 
      &lt;br&gt;
      &lt;br&gt;
      Okay, now that you have the idea, check out &lt;a href="http://www.learner.org/teacherslab/math/geometry/space/train/index.html"&gt;“I
      Took a Trip on a Train”&lt;/a&gt; and see how you do.&lt;br&gt;
      &lt;br&gt;
      (Go to http://www.learner.org/teacherslab/math/geometry/space/train/index.html.)&lt;br&gt;
      &lt;br&gt;
      &lt;p&gt;
      &lt;/p&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=790415f2-adec-4771-8eba-e1332b33fcd6" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,790415f2-adec-4771-8eba-e1332b33fcd6.aspx</comments>
      <category>By Holly Davis;Cool Web sites</category>
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              <div>Think you know your artists and their paintings? Artists Network forum member
               Terry (user name tstone) came up with this <a href="http://www.your-advert-goes-here.com/puzzle_art.asp">link
               to a great interactive Web game</a> that tests your ability to match artists with
               their paintings. 
               <br /><br />
               The game takes a minute or two to load, so be patient. Once you’re in, the game moves
               as quickly (or slowly) as you want. What’s more, it’s addictive. One of about 150
               paintings appears on your monitor, and you choose which of the 75 or so listed artists
               created the work. If you get the correct artist, you get to choose the correct painting
               title. Then on to the next painting.<br /><br />
               This beats solitaire any day. Try it and let me know what you think.<br /><br /><p></p></div>
            </div>
          </div>
        </div>
        <img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=08f9c30f-7575-4652-b7e4-d4e6838eb1dd" />
        <br />
        <hr />
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   online.</a>
      </body>
      <title>Name that painting</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,08f9c30f-7575-4652-b7e4-d4e6838eb1dd.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Name+That+Painting.aspx</link>
      <pubDate>Thu, 10 Jul 2008 19:20:29 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;Think you know your artists and their paintings? Artists Network forum member
            Terry (user name tstone) came up with this &lt;a href="http://www.your-advert-goes-here.com/puzzle_art.asp"&gt;link
            to a great interactive Web game&lt;/a&gt; that tests your ability to match artists with
            their paintings. 
            &lt;br&gt;
            &lt;br&gt;
            The game takes a minute or two to load, so be patient. Once you’re in, the game moves
            as quickly (or slowly) as you want. What’s more, it’s addictive. One of about 150
            paintings appears on your monitor, and you choose which of the 75 or so listed artists
            created the work. If you get the correct artist, you get to choose the correct painting
            title. Then on to the next painting.&lt;br&gt;
            &lt;br&gt;
            This beats solitaire any day. Try it and let me know what you think.&lt;br&gt;
            &lt;br&gt;
            &lt;p&gt;
            &lt;/p&gt;
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=08f9c30f-7575-4652-b7e4-d4e6838eb1dd" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,08f9c30f-7575-4652-b7e4-d4e6838eb1dd.aspx</comments>
      <category>By Holly Davis;Cool Web sites;Downloads</category>
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            <div>Can artists use their skills to make the world a kinder place? Portrait artist
            Kaziah Hancock has found a way. With her paintings, she reaches out in sympathy and
            love to those who have suffered one of the greatest losses possible—the death of an
            adult child. Using a photo reference, she paints portraits of fallen troops and sends
            them to the surviving parents as a gift. 
            <br /><br />
            You can view an <a href="http://www.militarytimes.com/hancock">inspiring video</a> about
            Kaziah and her work at <a href="http://www.militarytimes.com/hancock">http://www.militarytimes.com/hancock</a><br /><br />
            “Kaziah figured out years ago that an artist can do little to stop a war. Her gift
            would be a deliverance to the people left to battle at home.” <i>–from the video</i><br /><br /><p></p></div>
          </div>
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        <br />
        <hr />
        <a href="http://www.artistsnetwork.com/artistsmagazine">Visit The Artist's Magazine
   online.</a>
      </body>
      <title>Portrait Artist with a Heart</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,50b6f754-6f0c-4f48-a1e7-f39bc22c168d.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Portrait+Artist+With+A+Heart.aspx</link>
      <pubDate>Thu, 03 Jul 2008 16:02:32 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;Can artists use their skills to make the world a kinder place? Portrait artist
         Kaziah Hancock has found a way. With her paintings, she reaches out in sympathy and
         love to those who have suffered one of the greatest losses possible—the death of an
         adult child. Using a photo reference, she paints portraits of fallen troops and sends
         them to the surviving parents as a gift. 
         &lt;br&gt;
         &lt;br&gt;
         You can view an &lt;a href="http://www.militarytimes.com/hancock"&gt;inspiring video&lt;/a&gt; about
         Kaziah and her work at &lt;a href="http://www.militarytimes.com/hancock"&gt;http://www.militarytimes.com/hancock&lt;/a&gt;
         &lt;br&gt;
         &lt;br&gt;
         “Kaziah figured out years ago that an artist can do little to stop a war. Her gift
         would be a deliverance to the people left to battle at home.” &lt;i&gt;–from the video&lt;/i&gt;
         &lt;br&gt;
         &lt;br&gt;
         &lt;p&gt;
         &lt;/p&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=50b6f754-6f0c-4f48-a1e7-f39bc22c168d" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,50b6f754-6f0c-4f48-a1e7-f39bc22c168d.aspx</comments>
      <category>By Holly Davis;Notable Artists;Videos</category>
    </item>
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      <dc:creator>
      </dc:creator>
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            <img src="http://artistsblog.artistsnetwork.com/content/binary/Painting-Sistine-Chapel.jpg" align="right" border="0" height="508" hspace="5" vspace="5" width="339" />
            <p>
            </p>
            <i>
              <b>Note from Grace:</b> This is our associate editor Holly's first post on the
         blog, so give her a round of applause!</i>
            <br />
            <br />
            <br />
         My fascination with Michelangelo's painting of the <a href="http://en.wikipedia.org/wiki/Sistine_Chapel">Sistine
         Chapel</a> ceiling goes way back. I remember hearing an elementary school classmate
         speak of the pope's impatience with the painter to complete his masterpiece, and I
         envisioned the Pope rushing into the chapel and shouting up to Michelangelo, "Aren't
         you done yet?! How much longer?" When I heard that Michelangelo lay on his back while
         painting the ceiling frescoes, I imagined paint drips on his face and sore arms. The
         myths and methods concerning the chapel ceiling have meant as much to me, sometimes
         more, as the frescoes themselves.<br /><br />
         That's why I'm enthralled with the exhibition "<a href="http://vaticansplendors.com">Vatican
         Splendors from Saint Peter's Basilica, the Vatican Museums and Swiss Guard</a>," which
         just happens to correspond with the 500th anniversary of Michelangelo's painting of
         the Sistine Chapel ceiling (not to mention the building of Saint Peter's Basilica,
         the founding of the Vatican Museums and the establishment of the Papal Swiss Guard). 
         <br /><br />
         Oh, the relics, papal rings and jewels, tiaras, embroidered silk vestments, swords,
         armor, mosaics, sculptures and paintings are appealing—and works by Bernini, Giotto
         and Guercino certainly command a draw—but what really grabs me is the recreated environment
         of the scaffolding near the ceiling of the Sistine Chapel. Imagine getting a Michelangelo's-eye
         view of the ceiling frescoes (or copies thereof).<br /><br />
         Check out "<a href="http://vaticansplendors.com">Vatican Spendors</a>" for yourself
         at one of its three US venues:<br /><br />
         • Through May 11<br /><a href="http://www.floridamuseum.org/">Florida International Museum</a><br />
         St. Petersburg, Florida<br /><br />
         • May 31-Sept. 7<br /><a href="http://www.wrhs.org/">The Western Reserve Historical Society</a><br />
         Cleveland, Ohio<br /><br />
         • Opening Sept. 27<br /><a href="http://www.mnhs.org/historycenter/">Minnesota History Center</a><br />
         St. Paul, Minnesota<br /><br /><font size="1">Photo credit: Evergreen Exhibitions</font><br /></div>
        </div>
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        <br />
        <hr />
        <a href="http://www.artistsnetwork.com/artistsmagazine">Visit The Artist's Magazine
   online.</a>
      </body>
      <title>A Michelangelo's-eye view of the Sistine Chapel</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,893a8d28-e5c6-4418-a2be-66796c6a4ac6.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/A+Michelangeloseye+View+Of+The+Sistine+Chapel.aspx</link>
      <pubDate>Fri, 02 May 2008 20:23:31 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;&lt;img src="http://artistsblog.artistsnetwork.com/content/binary/Painting-Sistine-Chapel.jpg" align="right" border="0" height="508" hspace="5" vspace="5" width="339"&gt;
      &lt;p&gt;
      &lt;/p&gt;
      &lt;i&gt;&lt;b&gt;Note from Grace:&lt;/b&gt; This is our associate editor Holly's first post on the
      blog, so give her a round of applause!&lt;/i&gt;
      &lt;br&gt;
      &lt;br&gt;
      &lt;br&gt;
      My fascination with Michelangelo's painting of the &lt;a href="http://en.wikipedia.org/wiki/Sistine_Chapel"&gt;Sistine
      Chapel&lt;/a&gt; ceiling goes way back. I remember hearing an elementary school classmate
      speak of the pope's impatience with the painter to complete his masterpiece, and I
      envisioned the Pope rushing into the chapel and shouting up to Michelangelo, "Aren't
      you done yet?! How much longer?" When I heard that Michelangelo lay on his back while
      painting the ceiling frescoes, I imagined paint drips on his face and sore arms. The
      myths and methods concerning the chapel ceiling have meant as much to me, sometimes
      more, as the frescoes themselves.&lt;br&gt;
      &lt;br&gt;
      That's why I'm enthralled with the exhibition "&lt;a href="http://vaticansplendors.com"&gt;Vatican
      Splendors from Saint Peter's Basilica, the Vatican Museums and Swiss Guard&lt;/a&gt;," which
      just happens to correspond with the 500th anniversary of Michelangelo's painting of
      the Sistine Chapel ceiling (not to mention the building of Saint Peter's Basilica,
      the founding of the Vatican Museums and the establishment of the Papal Swiss Guard). 
      &lt;br&gt;
      &lt;br&gt;
      Oh, the relics, papal rings and jewels, tiaras, embroidered silk vestments, swords,
      armor, mosaics, sculptures and paintings are appealing—and works by Bernini, Giotto
      and Guercino certainly command a draw—but what really grabs me is the recreated environment
      of the scaffolding near the ceiling of the Sistine Chapel. Imagine getting a Michelangelo's-eye
      view of the ceiling frescoes (or copies thereof).&lt;br&gt;
      &lt;br&gt;
      Check out "&lt;a href="http://vaticansplendors.com"&gt;Vatican Spendors&lt;/a&gt;" for yourself
      at one of its three US venues:&lt;br&gt;
      &lt;br&gt;
      • Through May 11&lt;br&gt;
      &lt;a href="http://www.floridamuseum.org/"&gt;Florida International Museum&lt;/a&gt;
      &lt;br&gt;
      St. Petersburg, Florida&lt;br&gt;
      &lt;br&gt;
      • May 31-Sept. 7&lt;br&gt;
      &lt;a href="http://www.wrhs.org/"&gt;The Western Reserve Historical Society&lt;/a&gt;
      &lt;br&gt;
      Cleveland, Ohio&lt;br&gt;
      &lt;br&gt;
      • Opening Sept. 27&lt;br&gt;
      &lt;a href="http://www.mnhs.org/historycenter/"&gt;Minnesota History Center&lt;/a&gt;
      &lt;br&gt;
      St. Paul, Minnesota&lt;br&gt;
      &lt;br&gt;
      &lt;font size="1"&gt;Photo credit: Evergreen Exhibitions&lt;/font&gt;
      &lt;br&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=893a8d28-e5c6-4418-a2be-66796c6a4ac6" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,893a8d28-e5c6-4418-a2be-66796c6a4ac6.aspx</comments>
      <category>By Holly Davis;Exhibits;Notable Artists</category>
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