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    <title>The Artist's Magazine</title>
    <link>http://artistsblog.artistsnetwork.com/</link>
    <description>Blog</description>
    <copyright>F+W Publications, Inc.</copyright>
    <lastBuildDate>Fri, 12 Oct 2007 20:19:50 GMT</lastBuildDate>
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            <p>
            Today is my final day with The Artist's Magazine and I'll miss it tremendously—not
            only being surrounded by art each day which is truly a gift, but also the people here
            who care about the magazine and the quality of the work they do. It's been a long,
            winding journey that began with my start on a now-folded decorative painting magazine.
            The tally of magazine titles probably adds up to eight, including brief stints at
            Pastel Journal and Watercolor Magic. But it was on TAM that I finally felt at home. 
         </p>
            <p>
            Art's in my blood. When I was very young, I found a still life of that my dad had
            painted. It wasn't quite the caliber of art that we feature in the magazine, but it
            amazed me that he had painted it, and it seemed incredible that a person could capture
            something on canvas that they saw in their heart and mind. There's something really
            miraculous about that. 
         </p>
            <p>
            Without getting too much more sappy, I bid you goodbye and I wish you all the best. 
         </p>
            <p>
            Lisa Wurster, associate editor 
         </p>
          </div>
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        <br />
        <hr />
        <a href="http://www.artistsnetwork.com/artistsmagazine">Visit The Artist's Magazine
   online.</a>
      </body>
      <title>Farewell</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,7206be3f-bb40-4387-9cd1-b0a622871958.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Farewell.aspx</link>
      <pubDate>Fri, 12 Oct 2007 20:19:50 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;p&gt;
         Today is my final day with The Artist's Magazine and I'll miss it tremendously—not
         only being surrounded by art each day which is truly a gift, but also the people here
         who care about the magazine and the quality of the work they do. It's been a long,
         winding journey that began with my start on a now-folded decorative painting magazine.
         The tally of magazine titles probably adds up to eight, including brief stints at
         Pastel Journal and Watercolor Magic. But it was on TAM that I finally felt at home. 
      &lt;/p&gt;
      &lt;p&gt;
         Art's in my blood. When I was very young, I found a still life of that my dad had
         painted. It wasn't quite the caliber of art that we feature in the magazine, but it
         amazed me that he had painted it, and it seemed incredible that a person could capture
         something on canvas that they saw in their heart and mind. There's something really
         miraculous about that. 
      &lt;/p&gt;
      &lt;p&gt;
         Without getting too much more sappy, I bid you goodbye and I wish you all the best. 
      &lt;/p&gt;
      &lt;p&gt;
         Lisa Wurster, associate editor 
      &lt;/p&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=7206be3f-bb40-4387-9cd1-b0a622871958" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,7206be3f-bb40-4387-9cd1-b0a622871958.aspx</comments>
      <category>By Lisa Wurster;Random Thoughts</category>
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        <div>While working on the Exhibitions column for Jan/Feb 2008 issue, I came across
      artist <a href="http://www.lisaanneauerbach.com">Lisa Anne Auerbach</a>'s work. She's
      participating in the <a href="http://www.mocadetroit.org/exhibitions/WordsFailMe.html">Words
      Fail Me </a>exhibit at the <a href="http://www.mocadetroit.org">Museum of Contemporary
      Art Detroit</a>, on view through Jan. 20. Check out her <a href="http://www.lisaanneauerbach.com">website</a> for
      some of her interesting projects, including <i>Small Businesses</i>, a series of photos
      of tiny, free-standing buildings she discovered after switching her mode of transport
      from car to bicycle. Here's one, <i>Statues By Ray</i>:<br /><br /><br /><div align="center"> <img src="http://www.artistsmagazine.com/blog/content/binary/Statues_By_Ray.jpg" border="0" /></div></div>
        <img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=b6159de2-bbf3-4961-9380-ecc8108bbbc4" />
        <br />
        <hr />
        <a href="http://www.artistsnetwork.com/artistsmagazine">Visit The Artist's Magazine
   online.</a>
      </body>
      <title>Statues By Ray</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,b6159de2-bbf3-4961-9380-ecc8108bbbc4.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Statues+By+Ray.aspx</link>
      <pubDate>Fri, 21 Sep 2007 18:41:07 GMT</pubDate>
      <description>&lt;div&gt;While working on the Exhibitions column for Jan/Feb 2008 issue, I came across
   artist &lt;a href="http://www.lisaanneauerbach.com"&gt;Lisa Anne Auerbach&lt;/a&gt;'s work. She's
   participating in the &lt;a href="http://www.mocadetroit.org/exhibitions/WordsFailMe.html"&gt;Words
   Fail Me &lt;/a&gt;exhibit at the &lt;a href="http://www.mocadetroit.org"&gt;Museum of Contemporary
   Art Detroit&lt;/a&gt;, on view through Jan. 20. Check out her &lt;a href="http://www.lisaanneauerbach.com"&gt;website&lt;/a&gt; for
   some of her interesting projects, including &lt;i&gt;Small Businesses&lt;/i&gt;, a series of photos
   of tiny, free-standing buildings she discovered after switching her mode of transport
   from car to bicycle. Here's one, &lt;i&gt;Statues By Ray&lt;/i&gt;:&lt;br&gt;
   &lt;br&gt;
   &lt;br&gt;
   &lt;div align="center"&gt;&amp;nbsp;&lt;img src="http://www.artistsmagazine.com/blog/content/binary/Statues_By_Ray.jpg" border="0"&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=b6159de2-bbf3-4961-9380-ecc8108bbbc4" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,b6159de2-bbf3-4961-9380-ecc8108bbbc4.aspx</comments>
      <category>By Lisa Wurster;Notable Artists;Shows and Events</category>
    </item>
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      <dc:creator>
      </dc:creator>
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                                                                                  <img src="http://www.artistsmagazine.com/blog/content/binary/tam_blog12.jpg" alt="tam_blog12.jpg" align="left" border="0" height="152" width="230" />Yesterday
                                                                                                                  I went downtown to pay a visit to KraftHaus Art Gallery, where some of my friends
                                                                                                                  are featured in a show. I noticed half of the street was blocked off, and "had" to
                                                                                                                  park my car illegally as spaces were few and far between.<br /><br />
                                                                                                                  Walking up Main Street, I passed booths and encountered artists and musicians. At
                                                                                                                  the gallery, I found my friend artist C.T. King who informed me the festivities were
                                                                                                                  for "Second Sunday," an event similar to Final Friday, which brings people to Cincinnati's
                                                                                                                  Main Street to gallery-hop. 
                                                                                                                  <br /><br /><br /><img src="content/binary/tam_blog13.jpg" alt="tam_blog13.jpg" align="left" border="0" height="153" width="230" /> It
                                                                                                                  was partly my mission in visiting KraftHaus to see an assemblage that C.T. (left)
                                                                                                                  had created, which featured parts from an alarm clock (below) that periodically goes
                                                                                                                  off. <img src="http://www.artistsmagazine.com/blog/content/binary/tam_blog14.jpg" alt="tam_blog14.jpg" align="right" border="0" /><br />
                                                                                                                  When the show was first hung, the alarm went off unexpectedly, prompting gallery workers
                                                                                                                  to call him frantically pleading, "How the %#?! do you turn this thing off!!" Anyhow,
                                                                                                                  I love his work and feel lucky to have one of his collages hanging in my living room.
                                                                                                                  Whenever someone visits, they remark desirously of it.<br /><br /><br /><img src="http://www.artistsmagazine.com/blog/content/binary/tam_blog15.jpg" alt="tam_blog15.jpg" align="left" border="0" height="152" width="230" />Once
                                                                                                                  I perused the paintings, photos, collages, crafts (some fun stuff, below)—including
                                                                                                                  new works by Ryan Little (left) who was featured in our <a href="http://http://www.artistsmagazine.com/mags_tam_display.asp?id=1823">March
                                                                                                                  2007</a> "Under 40" article, I ventured downstairs into the basement. Friends C.T.
                                                                                                                  Ryan, and Ali Calis were hard at work in the un-airconditioned space, <img src="content/binary/tam_blog16.jpg" alt="tam_blog16.jpg" align="right" border="0" height="152" width="230" />preparing
                                                                                                                  an installation for their next show. The space was a no-man's land of boards, brushes,
                                                                                                                  buckets, spray paint and a lone, dusty chandelier. The installation, I was told, will
                                                                                                                  provide opportunity for gallery visitors to have their picture taken with some kind
                                                                                                                  of humorous backdrop. I can't wait to see it! 
                                                                                                                  <br /><br /><br />
                                                                                                                  After taking pictures of the sweating and unsuspecting three, I went back upstairs
                                                                                                                  and met a gallery worker named Jen, who was preparing food for visitors and who graciously
                                                                                                                  posed for photos(at left and below), including one <img src="content/binary/tam_blog17.jpg" alt="tam_blog17.jpg" align="left" border="0" height="152" width="230" />by
                                                                                                                  the gallery's front window. <img src="http://www.artistsmagazine.com/blog/content/binary/tam_blog18.jpg" alt="tam_blog18.jpg" align="right" border="0" height="152" width="230" /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />
                                                                                                                  When I left, a group of drummers in the street made the walk back to my car (which
                                                                                                                  I was glad to see had no parking ticket) fun and rhythmic.<img src="content/binary/tam_blog19.jpg" alt="tam_blog19.jpg" align="left" border="0" /><p></p></div>
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        <br />
        <hr />
        <a href="http://www.artistsnetwork.com/artistsmagazine">Visit The Artist's Magazine
   online.</a>
      </body>
      <title>Second Sunday</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,0988d01e-db5f-44f3-842d-e62a5101c3aa.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Second+Sunday.aspx</link>
      <pubDate>Mon, 10 Sep 2007 14:56:45 GMT</pubDate>
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                                                                                                            &lt;div&gt;&lt;img src="http://www.artistsmagazine.com/blog/content/binary/tam_blog12.jpg" alt="tam_blog12.jpg" align="left" border="0" height="152" width="230"&gt;Yesterday
                                                                                                               I went downtown to pay a visit to KraftHaus Art Gallery, where some of my friends
                                                                                                               are featured in a show. I noticed half of the street was blocked off, and "had" to
                                                                                                               park my car illegally as spaces were few and far between.&lt;br&gt;
                                                                                                               &lt;br&gt;
                                                                                                               Walking up Main Street, I passed booths and encountered artists and musicians. At
                                                                                                               the gallery, I found my friend artist C.T. King who informed me the festivities were
                                                                                                               for "Second Sunday," an event similar to Final Friday, which brings people to Cincinnati's
                                                                                                               Main Street to gallery-hop. 
                                                                                                               &lt;br&gt;
                                                                                                               &lt;br&gt;
                                                                                                               &lt;br&gt;
                                                                                                               &lt;img src="content/binary/tam_blog13.jpg" alt="tam_blog13.jpg" align="left" border="0" height="153" width="230"&gt; It
                                                                                                               was partly my mission in visiting KraftHaus to see an assemblage that C.T. (left)
                                                                                                               had created, which featured parts from an alarm clock (below) that periodically goes
                                                                                                               off. &lt;img src="http://www.artistsmagazine.com/blog/content/binary/tam_blog14.jpg" alt="tam_blog14.jpg" align="right" border="0"&gt;
                                                                                                               &lt;br&gt;
                                                                                                               When the show was first hung, the alarm went off unexpectedly, prompting gallery workers
                                                                                                               to call him frantically pleading, "How the %#?! do you turn this thing off!!" Anyhow,
                                                                                                               I love his work and feel lucky to have one of his collages hanging in my living room.
                                                                                                               Whenever someone visits, they remark desirously of it.&lt;br&gt;
                                                                                                               &lt;br&gt;
                                                                                                               &lt;br&gt;
                                                                                                               &lt;img src="http://www.artistsmagazine.com/blog/content/binary/tam_blog15.jpg" alt="tam_blog15.jpg" align="left" border="0" height="152" width="230"&gt;Once
                                                                                                               I perused the paintings, photos, collages, crafts (some fun stuff, below)—including
                                                                                                               new works by Ryan Little (left) who was featured in our &lt;a href="http://http://www.artistsmagazine.com/mags_tam_display.asp?id=1823"&gt;March
                                                                                                               2007&lt;/a&gt; "Under 40" article, I ventured downstairs into the basement. Friends C.T.
                                                                                                               Ryan, and Ali Calis were hard at work in the un-airconditioned space, &lt;img src="content/binary/tam_blog16.jpg" alt="tam_blog16.jpg" align="right" border="0" height="152" width="230"&gt;preparing
                                                                                                               an installation for their next show. The space was a no-man's land of boards, brushes,
                                                                                                               buckets, spray paint and a lone, dusty chandelier. The installation, I was told, will
                                                                                                               provide opportunity for gallery visitors to have their picture taken with some kind
                                                                                                               of humorous backdrop. I can't wait to see it! 
                                                                                                               &lt;br&gt;
                                                                                                               &lt;br&gt;
                                                                                                               &lt;br&gt;
                                                                                                               After taking pictures of the sweating and unsuspecting three, I went back upstairs
                                                                                                               and met a gallery worker named Jen, who was preparing food for visitors and who graciously
                                                                                                               posed for photos(at left and below), including one &lt;img src="content/binary/tam_blog17.jpg" alt="tam_blog17.jpg" align="left" border="0" height="152" width="230"&gt;by
                                                                                                               the gallery's front window. &lt;img src="http://www.artistsmagazine.com/blog/content/binary/tam_blog18.jpg" alt="tam_blog18.jpg" align="right" border="0" height="152" width="230"&gt;
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                                                                                                               When I left, a group of drummers in the street made the walk back to my car (which
                                                                                                               I was glad to see had no parking ticket) fun and rhythmic.&lt;img src="content/binary/tam_blog19.jpg" alt="tam_blog19.jpg" align="left" border="0"&gt; 
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&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
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      <category>By Lisa Wurster;Notable Artists;Shows and Events</category>
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                                <div>Over the weekend, I settled in to watch two artsy movies: <i>Fur: An Imaginary
                                          Portrait of <a href="http://en.wikipedia.org/wiki/Diane_Arbus">Diane Arbus</a></i> starring
                                          Nicole Kidman, and <i><a href="http://en.wikipedia.org/wiki/Matthew_Barney">Matthew
                                          Barney</a>: No Restraint</i>, a documentary of the making of<i> Drawing Restraint
                                          9</i>, the latest in a series of his projects.<br /><br />
                                          I found <i>Fur</i> problematic, as anyone familiar with Arbus' work is curious to
                                          know the real story behind her life. You won't get that curiosity satisfied here.
                                          After watching the train wreck of a movie (you try, but you can't look away), I had
                                          to guess which moments were invented. I won't give any of the film away, but there
                                          is a scene involving a razor and one very hairy neighbor. You can read the Rotten
                                          Tomatoes <a href="http://www.rottentomatoes.com/m/fur/">review here</a>. What I did
                                          take away from this movie, though, was Arbus' (and any artist's) need to carve a separate
                                          path--even if the fallout is alienation from those we love. Tough stuff.<br /><br />
                                          Next, I watched the Barney documentary with a few grains of salt(ed popcorn). I'm
                                          not a HUGE fan of performance or conceptual art, but I felt there had to be something
                                          to this man, considered one of the most important artists of our time and who captured
                                          the heart of Icelandic singer <a href="http://en.wikipedia.org/wiki/Bj%C3%83%C2%B6rk">Bjork.</a><br /><br />
                                          In the documentary, Barney (who considers himself predominately a sculptor) boards
                                          a Japanese whaling ship intending to fill a mold with 45,000 lbs of petroleum jelly.
                                          Once the mold is filled and the substance settles, the mold is removed and you're
                                          left watching the stuff move glacier-like. It's definielty more sensual than appetizing.
                                          There's more to the film of course, including an interesting take on a traditional
                                          Japanese tea ceremory starring Bjork herself.<br /><br />
                                          The theme of this, and the previous eight projects in the series, is the exploration
                                          of the <b>artist and some manner of resistance</b>. In his first <i>Drawing Restraint</i>,
                                          I think Barney tethered and otherwise hindered himself whilst attempting to make marks
                                          on a wall. The drawings aren't much to look at (therein lies my problem with performance/conceptual
                                          art), but the point is well-made. Much like an athlete (Barney, by the way, was a
                                          high school football star) resistance, hurdles and obstacles  challenge an artist
                                          to improve his work. And perhaps they're what make art necessary in the first place.<br /></div>
                              </div>
                            </div>
                          </div>
                        </div>
                      </div>
                    </div>
                  </div>
                </div>
              </div>
            </div>
          </div>
        </div>
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        <br />
        <hr />
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   online.</a>
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      <title>Viewing Restraint</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,d713bea4-e7dc-483c-8ad6-0a00ec7f4f8c.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Viewing+Restraint.aspx</link>
      <pubDate>Wed, 29 Aug 2007 17:43:51 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;
            &lt;div&gt;
               &lt;div&gt;
                  &lt;div&gt;
                     &lt;div&gt;
                        &lt;div&gt;
                           &lt;div&gt;
                              &lt;div&gt;
                                 &lt;div&gt;
                                    &lt;div&gt;Over the weekend, I settled in to watch two artsy movies: &lt;i&gt;Fur: An Imaginary
                                       Portrait of &lt;a href="http://en.wikipedia.org/wiki/Diane_Arbus"&gt;Diane Arbus&lt;/a&gt;&lt;/i&gt; starring
                                       Nicole Kidman, and &lt;i&gt;&lt;a href="http://en.wikipedia.org/wiki/Matthew_Barney"&gt;Matthew
                                       Barney&lt;/a&gt;: No Restraint&lt;/i&gt;, a documentary of the making of&lt;i&gt; Drawing Restraint
                                       9&lt;/i&gt;, the latest in a series of his projects.&lt;br&gt;
                                       &lt;br&gt;
                                       I found &lt;i&gt;Fur&lt;/i&gt; problematic, as anyone familiar with Arbus' work is curious to
                                       know the real story behind her life. You won't get that curiosity satisfied here.
                                       After watching the train wreck of a movie (you try, but you can't look away), I had
                                       to guess which moments were invented. I won't give any of the film away, but there
                                       is a scene involving a razor and one very hairy neighbor. You can read the Rotten
                                       Tomatoes &lt;a href="http://www.rottentomatoes.com/m/fur/"&gt;review here&lt;/a&gt;. What I did
                                       take away from this movie, though, was Arbus' (and any artist's) need to carve a separate
                                       path--even if the fallout is alienation from those we love. Tough stuff.&lt;br&gt;
                                       &lt;br&gt;
                                       Next, I watched the Barney documentary with a few grains of salt(ed popcorn). I'm
                                       not a HUGE fan of performance or conceptual art, but I felt there had to be something
                                       to this man, considered one of the most important artists of our time and who captured
                                       the heart of Icelandic singer &lt;a href="http://en.wikipedia.org/wiki/Bj%C3%83%C2%B6rk"&gt;Bjork.&lt;/a&gt; 
                                       &lt;br&gt;
                                       &lt;br&gt;
                                       In the documentary, Barney (who considers himself predominately a sculptor) boards
                                       a Japanese whaling ship intending to fill a mold with 45,000 lbs of petroleum jelly.
                                       Once the mold is filled and the substance settles, the mold is removed and you're
                                       left watching the stuff move glacier-like. It's definielty more sensual than appetizing.
                                       There's more to the film of course, including an interesting take on a traditional
                                       Japanese tea ceremory starring Bjork herself.&lt;br&gt;
                                       &lt;br&gt;
                                       The theme of this, and the previous eight projects in the series, is the exploration
                                       of the &lt;b&gt;artist and some manner of resistance&lt;/b&gt;. In his first &lt;i&gt;Drawing Restraint&lt;/i&gt;,
                                       I think Barney tethered and otherwise hindered himself whilst attempting to make marks
                                       on a wall. The drawings aren't much to look at (therein lies my problem with performance/conceptual
                                       art), but the point is well-made. Much like an athlete (Barney, by the way, was a
                                       high school football star) resistance, hurdles and obstacles&amp;nbsp; challenge an artist
                                       to improve his work. And perhaps they're what make art necessary in the first place.&lt;br&gt;
                                    &lt;/div&gt;
                                 &lt;/div&gt;
                              &lt;/div&gt;
                           &lt;/div&gt;
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                  &lt;/div&gt;
               &lt;/div&gt;
            &lt;/div&gt;
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
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&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,d713bea4-e7dc-483c-8ad6-0a00ec7f4f8c.aspx</comments>
      <category>By Lisa Wurster;Notable Artists;Videos</category>
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              <div>One of our contributors, Michael Chesley Johnson just sent me this Simsponized
               version of himself which I find totally hilarious. <img src="http://www.artistsmagazine.com/blog/ftb/Utility/spacer.gif" align="bottom" height="1" width="1" />We
               plan to Simpsonize the entire TAM staff, but it will take a slow moment (rare around
               here) before we can do it. In the meantime, I imagine the world eventually becoming
               a cartoon version of themselves. 
               <br /><img src="content/binary/mcjsimpson.jpg" alt="mcjsimpson.jpg" align="middle" border="0" height="329" width="179" /><img src="content/binary/secor_simpson.jpg" alt="secor_simpson.jpg" align="left" border="0" height="303" width="164" />And
               now we bring you Deborah Secor Simpson...
            </div>
            </div>
          </div>
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        <br />
        <hr />
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   online.</a>
      </body>
      <title>Simpsonizing our contributors</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,e39e2934-dde0-47f1-9ea5-9d7092d4a7cd.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Simpsonizing+Our+Contributors.aspx</link>
      <pubDate>Thu, 23 Aug 2007 17:54:46 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;One of our contributors, Michael Chesley Johnson just sent me this Simsponized
            version of himself which I find totally hilarious. &lt;img src="http://www.artistsmagazine.com/blog/ftb/Utility/spacer.gif" align="bottom" height="1" width="1"&gt;We
            plan to Simpsonize the entire TAM staff, but it will take a slow moment (rare around
            here) before we can do it. In the meantime, I imagine the world eventually becoming
            a cartoon version of themselves. 
            &lt;br&gt;
            &lt;img src="content/binary/mcjsimpson.jpg" alt="mcjsimpson.jpg" align="middle" border="0" height="329" width="179"&gt;&lt;img src="content/binary/secor_simpson.jpg" alt="secor_simpson.jpg" align="left" border="0" height="303" width="164"&gt;And
            now we bring you Deborah Secor Simpson...
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=e39e2934-dde0-47f1-9ea5-9d7092d4a7cd" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,e39e2934-dde0-47f1-9ea5-9d7092d4a7cd.aspx</comments>
      <category>By Lisa Wurster;Random Thoughts</category>
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                                <div>For those of you who receive our <a href="http://www.artistsmagazine.com/newsletter.asp">e-newsletter</a>,
                                          you're familiar with the cover survey that just went out, and thus the choices between
                                          what I'm calling "the smoking cover" and "the drag queen cover." Anyhow, the email
                                          comments which resulted from the survey were more numerous than anyone could have
                                          expected—try over 1,000! Clearly, people are opinionated. And we wouldn't have it
                                          any other way! 
                                          <br /><br />
                                          I took a break from opening emails to speak with Carol Wax whose work will appear
                                          in the November issue. Wax is a pro at <a href="http://www.artistsmagazine.com/article.asp?id=3023">mezzotint</a> and
                                          is about to set off on a three-day drive to teach a class in Michigan. She mentioned
                                          being a little anxious about the journey, but having her "magical journal" to keep
                                          her company. The journal is used to record moments and experiences that hold or convey
                                          some feeling of magic. I thought it was such a brilliant idea, I was inspired to start
                                          my own. Now, I just have to wait for the magic to begin.<br /><br />
                                          In the meantime, here's a preview of Carol's art for the November feature "Ars Ex
                                          Machina":<br /><br /></div>
                              </div>
                            </div>
                            <img src="http://www.artistsmagazine.com/blog/content/binary/prt02695.jpg" border="0" height="276" width="374" />
                          </div>
                        </div>
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   online.</a>
      </body>
      <title>Cover survey...and a magical journal</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,309b056e-ecf1-4e82-bc9a-25f5d0c44ee7.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Cover+Surveyand+A+Magical+Journal.aspx</link>
      <pubDate>Wed, 15 Aug 2007 18:20:52 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;
            &lt;div&gt;
               &lt;div&gt;
                  &lt;div&gt;
                     &lt;div&gt;
                        &lt;div&gt;
                           &lt;div&gt;
                              &lt;div&gt;
                                 &lt;div&gt;
                                    &lt;div&gt;For those of you who receive our &lt;a href="http://www.artistsmagazine.com/newsletter.asp"&gt;e-newsletter&lt;/a&gt;,
                                       you're familiar with the cover survey that just went out, and thus the choices between
                                       what I'm calling "the smoking cover" and "the drag queen cover." Anyhow, the email
                                       comments which resulted from the survey were more numerous than anyone could have
                                       expected—try over 1,000! Clearly, people are opinionated. And we wouldn't have it
                                       any other way! 
                                       &lt;br&gt;
                                       &lt;br&gt;
                                       I took a break from opening emails to speak with Carol Wax whose work will appear
                                       in the November issue. Wax is a pro at &lt;a href="http://www.artistsmagazine.com/article.asp?id=3023"&gt;mezzotint&lt;/a&gt; and
                                       is about to set off on a three-day drive to teach a class in Michigan. She mentioned
                                       being a little anxious about the journey, but having her "magical journal" to keep
                                       her company. The journal is used to record moments and experiences that hold or convey
                                       some feeling of magic. I thought it was such a brilliant idea, I was inspired to start
                                       my own. Now, I just have to wait for the magic to begin.&lt;br&gt;
                                       &lt;br&gt;
                                       In the meantime, here's a preview of Carol's art for the November feature "Ars Ex
                                       Machina":&lt;br&gt;
                                       &lt;br&gt;
                                    &lt;/div&gt;
                                 &lt;/div&gt;
                              &lt;/div&gt;
                              &lt;img src="http://www.artistsmagazine.com/blog/content/binary/prt02695.jpg" border="0" height="276" width="374"&gt;
                           &lt;/div&gt;
                        &lt;/div&gt;
                     &lt;/div&gt;
                  &lt;/div&gt;
               &lt;/div&gt;
            &lt;/div&gt;
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
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&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,309b056e-ecf1-4e82-bc9a-25f5d0c44ee7.aspx</comments>
      <category>By Lisa Wurster;Notable Artists;Shows and Events</category>
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        <div>Once again, the Paint-Off has generated some great paintings! The voting is now
      underway for the "Lands Unpainted" prompt. Take a look at our <a href="http://www.artistsmagazine.com/article.asp?id=3027">finalists
      here</a>. Choose your favorite of the four and follow the directions to cast your
      vote. 
      <br /><br />
      Also, a reminder that a new painting prompt has begun, this time a challenge to paint
      from a photograph. Visit the <a href="http://www.artistsnetwork.com">ArtistsNetwork.com</a> message
      board, log in and check out the All-Media Paint-Off forum. 
      <br /><br />
      Good luck to the finalists!<br /><br /><br /></div>
        <img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=e54d846b-16ae-451a-9016-6c791885d299" />
        <br />
        <hr />
        <a href="http://www.artistsnetwork.com/artistsmagazine">Visit The Artist's Magazine
   online.</a>
      </body>
      <title>All-Media Paint-Off</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,e54d846b-16ae-451a-9016-6c791885d299.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/AllMedia+PaintOff.aspx</link>
      <pubDate>Wed, 08 Aug 2007 13:47:55 GMT</pubDate>
      <description>&lt;div&gt;Once again, the Paint-Off has generated some great paintings! The voting is now
   underway for the "Lands Unpainted" prompt. Take a look at our &lt;a href="http://www.artistsmagazine.com/article.asp?id=3027"&gt;finalists
   here&lt;/a&gt;. Choose your favorite of the four and follow the directions to cast your
   vote. 
   &lt;br&gt;
   &lt;br&gt;
   Also, a reminder that a new painting prompt has begun, this time a challenge to paint
   from a photograph. Visit the &lt;a href="http://www.artistsnetwork.com"&gt;ArtistsNetwork.com&lt;/a&gt; message
   board, log in and check out the All-Media Paint-Off forum. 
   &lt;br&gt;
   &lt;br&gt;
   Good luck to the finalists!&lt;br&gt;
   &lt;br&gt;
   &lt;br&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=e54d846b-16ae-451a-9016-6c791885d299" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,e54d846b-16ae-451a-9016-6c791885d299.aspx</comments>
      <category>By Lisa Wurster;Shows and Events</category>
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      <title>Saul Steinberg</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,b24e5703-3a3c-475e-a5d5-4506dc75ddb3.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Saul+Steinberg.aspx</link>
      <pubDate>Tue, 31 Jul 2007 19:33:32 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;p&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;
            &lt;div&gt;
               &lt;div&gt;
                  &lt;div&gt;On Sunday a friend and I stopped in at the &lt;a href="http://www.cincinnatiartmuseum.org"&gt;Cincinnati
                     Art Museum&lt;/a&gt; for the exhibit, &lt;a href="http://www.cincinnatiartmuseum.org/absolutenm/templates/ArtTempExhibitions.aspx?articleid=455&amp;zoneid=65"&gt;Saul
                     Steinberg: Illuminations&lt;/a&gt;. For those who are unfamiliar with the name, you may
                     recall Steinberg's charactersitic line on the cover of numerous &lt;i&gt;New Yorker&lt;/i&gt; magazines. 
                     &lt;p&gt;
                        Steinberg may be best known for his humorous cover &lt;a href="http://www.thenewyorkerstore.com/assets/2/50326_l.jpg"&gt;A
                        View of the World From 9th Avenue&lt;/a&gt;. All told, the Romanian-born artist did 85 covers
                        and 642 drawings for the publication. On view in the show were 60 years worth of drawings,
                        paintings, collages and even sculptures. One drawing ran 33 feet (although, for some
                        reason, not fully shown under glass). 
                     &lt;/p&gt;
                     &lt;p&gt;
                        One thing I found so refreshing about the exhibit was that one could see the pencil
                        lines in many of the drawings, gouaches and watercolors. Some of the drawings didn't
                        completely make their way to the cover—they were edited. In one drawing that played
                        on the use of acronyms (Steinberg considered himself a writer who happened to paint),
                        the letters "&lt;a href="http://en.wikipedia.org/wiki/Lsd"&gt;LSD&lt;/a&gt;" ended up on the cutting
                        room floor. 
                     &lt;/p&gt;
                     &lt;p&gt;
                        Anyhow, it's nice to see, not really the mistakes an artist makes, but the progress.
                        To know that even the hand of a genius wanders. 
                        &lt;br&gt;
                        Lisa
                     &lt;/p&gt;
                  &lt;/div&gt;
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&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,b24e5703-3a3c-475e-a5d5-4506dc75ddb3.aspx</comments>
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                <div>In a unique (and relaxing) conjunction with its current Asian-inspired exhibition, <a href="http://www.gardnermuseum.org/exhibitions/exhibition.asp">Stefano
                  Arienti: The Asian Shore</a> (on view through Oct. 14), the <a href="http://www.gardnermuseum.org">Isabella
                  Stewart Gardner Museum</a> in Boston is holding in-gallery meditation workshops Aug.
                  7, Sept. 4 and Oct. 2. 
                  <br /><br />
                  Participants will sit on rugs dyed by the Italian artist and will be surrounded by
                  zen-like black-and-white drawings of <a href="http://gardnermuseum.org/the_museum/isabella.asp">Isabella
                  Gardner</a>'s former Chinese Room. Boston spa <a href="http://www.exhalespa.com/boston1738.html">Exhale</a> will
                  have wellness experts and licensed acupuncturists on site to conduct the guided meditation
                  and "vibrational therapy" which uses a tuning fork to produce a "unique physiological
                  response." 
                  <br /><br />
                  The Gardner Museum is home to world-class art by Rembrandt, Degas, Michelangelo and
                  Raphael. After the meditations, guests are welcome to peruse the three floors of outstanding
                  art. The sessions are free with standard admission, but reservations are needed. To
                  learn more, <a href="http://gardnermuseum.org/calendar/events.asp?filtid=8">click
                  here</a>. 
                  <br /><br />
                  I don't know about you, but I'm already starting to feel mellow. 
                  <br /><br />
                  Lisa 
               </div>
              </div>
            </div>
          </div>
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        <br />
        <hr />
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   online.</a>
      </body>
      <title>Art of Meditation</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,f9e04ebb-cd08-400b-ae0a-8d2ef6f59823.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Art+Of+Meditation.aspx</link>
      <pubDate>Wed, 25 Jul 2007 20:30:09 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;
            &lt;div&gt;In a unique (and relaxing) conjunction with its current Asian-inspired exhibition, &lt;a href="http://www.gardnermuseum.org/exhibitions/exhibition.asp"&gt;Stefano
               Arienti: The Asian Shore&lt;/a&gt; (on view through Oct. 14), the &lt;a href="http://www.gardnermuseum.org"&gt;Isabella
               Stewart Gardner Museum&lt;/a&gt; in Boston is holding in-gallery meditation workshops Aug.
               7, Sept. 4 and Oct. 2. 
               &lt;br&gt;
               &lt;br&gt;
               Participants will sit on rugs dyed by the Italian artist and will be surrounded by
               zen-like black-and-white drawings of &lt;a href="http://gardnermuseum.org/the_museum/isabella.asp"&gt;Isabella
               Gardner&lt;/a&gt;'s former Chinese Room. Boston spa &lt;a href="http://www.exhalespa.com/boston1738.html"&gt;Exhale&lt;/a&gt; will
               have wellness experts and licensed acupuncturists on site to conduct the guided meditation
               and "vibrational therapy" which uses a tuning fork to produce a "unique physiological
               response." 
               &lt;br&gt;
               &lt;br&gt;
               The Gardner Museum is home to world-class art by Rembrandt, Degas, Michelangelo and
               Raphael. After the meditations, guests are welcome to peruse the three floors of outstanding
               art. The sessions are free with standard admission, but reservations are needed. To
               learn more, &lt;a href="http://gardnermuseum.org/calendar/events.asp?filtid=8"&gt;click
               here&lt;/a&gt;. 
               &lt;br&gt;
               &lt;br&gt;
               I don't know about you, but I'm already starting to feel mellow. 
               &lt;br&gt;
               &lt;br&gt;
               Lisa 
            &lt;/div&gt;
         &lt;/div&gt;
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&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=f9e04ebb-cd08-400b-ae0a-8d2ef6f59823" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,f9e04ebb-cd08-400b-ae0a-8d2ef6f59823.aspx</comments>
      <category>By Lisa Wurster;Notable Artists;Shows and Events</category>
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                    <div>It's mid-summer and you'd think the sun would be shining to correspond with the
                        90 degree weather (and 90 percent humidity) we've been having. It's always sunny in
                        my workspace though as I have art by Patti Brady hanging around. How is it that some
                        images just brighten your day immediately? Visit her <a href="http:///www.pattibrady.com">website</a> and
                        you'll see what I mean, or take a look at one of her works on paper, Belly Button,
                        below. I can't think of a more adorable name for a painting. Even the title makes
                        me smile.<br /><br /><img src="content/binary/tam_hp_brady.jpg" align="left" border="0" />We feature Patti's
                        work in the <a href="http://www.artistsmagazine.com/mags_tam_display.asp?id=1844">July/August
                        issue</a>, one of my favorite issues we've done. On the cover is a Hopper painting
                        of a couple (alone-together, in true Hopper form) on a sun-drenched porch. Also in
                        the issue is work by <a href="http://www.listonart.com">Bryce Cameron Liston</a>.
                        He and I spoke on the phone a while back about the state of Romantic art. Some people
                        may find the style old-fashioned or sappy. I agree with Liston who said that romanticism
                        is simply a filter—similar to Impressionism—another angle from which to view the world.
                        I can deal with a rosy-tinged filter now and again.<br /><br />
                        I hope you enjoy our <a href="http://www.artistsmagazine.com/mags_tam_display.asp?id=1844">summer
                        issue</a> as much as I do.<br />
                        --Lisa<br /></div>
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        <br />
        <hr />
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   online.</a>
      </body>
      <title>Summer Sun</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,eb5a9897-3922-4d5a-8f6f-b2a214f0f265.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Summer+Sun.aspx</link>
      <pubDate>Wed, 18 Jul 2007 17:55:40 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
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            &lt;div&gt;
               &lt;div&gt;
                  &lt;div&gt;It's mid-summer and you'd think the sun would be shining to correspond with the
                     90 degree weather (and 90 percent humidity) we've been having. It's always sunny in
                     my workspace though as I have art by Patti Brady hanging around. How is it that some
                     images just brighten your day immediately? Visit her &lt;a href="http:///www.pattibrady.com"&gt;website&lt;/a&gt; and
                     you'll see what I mean, or take a look at one of her works on paper, Belly Button,
                     below. I can't think of a more adorable name for a painting. Even the title makes
                     me smile.&lt;br&gt;
                     &lt;br&gt;
                     &lt;img src="content/binary/tam_hp_brady.jpg" align="left" border="0"&gt;We feature Patti's
                     work in the &lt;a href="http://www.artistsmagazine.com/mags_tam_display.asp?id=1844"&gt;July/August
                     issue&lt;/a&gt;, one of my favorite issues we've done. On the cover is a Hopper painting
                     of a couple (alone-together, in true Hopper form) on a sun-drenched porch. Also in
                     the issue is work by &lt;a href="http://www.listonart.com"&gt;Bryce Cameron Liston&lt;/a&gt;.
                     He and I spoke on the phone a while back about the state of Romantic art. Some people
                     may find the style old-fashioned or sappy. I agree with Liston who said that romanticism
                     is simply a filter—similar to Impressionism—another angle from which to view the world.
                     I can deal with a rosy-tinged filter now and again.&lt;br&gt;
                     &lt;br&gt;
                     I hope you enjoy our &lt;a href="http://www.artistsmagazine.com/mags_tam_display.asp?id=1844"&gt;summer
                     issue&lt;/a&gt; as much as I do.&lt;br&gt;
                     --Lisa&lt;br&gt;
                  &lt;/div&gt;
               &lt;/div&gt;
            &lt;/div&gt;
         &lt;/div&gt;
      &lt;/div&gt;
   &lt;/div&gt;
&lt;/div&gt;
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&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,eb5a9897-3922-4d5a-8f6f-b2a214f0f265.aspx</comments>
      <category>By Lisa Wurster;Notable Artists;Random Thoughts</category>
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                                  <div>We've been posting many obits lately, and it seems to me things might be getting
                                             a bit morbid. So, one last (belated) obit—for a time.<br /><br /><i>Artist's Sketchbook</i> magazine was full of creativity and had a zest for life,
                                             yet met with its untimely demise in June 2006. <i>Sketchbook</i> was the beloved step-child
                                             of <i>The Artist's Magazine</i> and she leaves behind several editors (and art directors)
                                             who worked on her pages and who still inhabit these halls. 
                                             <br /><br />
                                             We do miss her and want to get the word out that she is no more--no, you cannot subscribe.
                                             However, you can order old issues by doing a "quick search" here, on our <a href="http://www.artistsmagazine.com/mags_tam.asp">back
                                             issues page</a>.<br /><br />
                                             R.I.P. <i>Artist's Sketchbook 
                                             <br /><img src="http://www.artistsmagazine.com/blog/content/binary/SKB0206_cover.jpg" alt="SKB0206_cover.jpg" align="middle" border="0" height="222" width="160" /></i><br /><br />
                                             --Lisa
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      </body>
      <title>Where's Artist's Sketchbook?</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,43820ca0-097c-417f-9599-7e0d783b290e.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Wheres+Artists+Sketchbook.aspx</link>
      <pubDate>Thu, 12 Jul 2007 19:11:00 GMT</pubDate>
      <description>&lt;div&gt;
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                              &lt;div&gt;
                                 &lt;div&gt;
                                    &lt;div&gt;
                                       &lt;div&gt;We've been posting many obits lately, and it seems to me things might be getting
                                          a bit morbid. So, one last (belated) obit—for a time.&lt;br&gt;
                                          &lt;br&gt;
                                          &lt;i&gt;Artist's Sketchbook&lt;/i&gt; magazine was full of creativity and had a zest for life,
                                          yet met with its untimely demise in June 2006. &lt;i&gt;Sketchbook&lt;/i&gt; was the beloved step-child
                                          of &lt;i&gt;The Artist's Magazine&lt;/i&gt; and she leaves behind several editors (and art directors)
                                          who worked on her pages and who still inhabit these halls. 
                                          &lt;br&gt;
                                          &lt;br&gt;
                                          We do miss her and want to get the word out that she is no more--no, you cannot subscribe.
                                          However, you can order old issues by doing a "quick search" here, on our &lt;a href="http://www.artistsmagazine.com/mags_tam.asp"&gt;back
                                          issues page&lt;/a&gt;.&lt;br&gt;
                                          &lt;br&gt;
                                          R.I.P. &lt;i&gt;Artist's Sketchbook 
                                          &lt;br&gt;
                                          &lt;img src="http://www.artistsmagazine.com/blog/content/binary/SKB0206_cover.jpg" alt="SKB0206_cover.jpg" align="middle" border="0" height="222" width="160"&gt;&lt;/i&gt;
                                          &lt;br&gt;
                                          &lt;br&gt;
                                          --Lisa
                                       &lt;/div&gt;
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                  &lt;/div&gt;
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         &lt;/div&gt;
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   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=43820ca0-097c-417f-9599-7e0d783b290e" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,43820ca0-097c-417f-9599-7e0d783b290e.aspx</comments>
      <category>Random Thoughts;By Lisa Wurster</category>
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                    <div>We're saddened to learn and report of the passing of artist and instructor Charles
                        Sovek who died earlier this month on June 8. Sovek was an influential artist and a
                        contributor to The Artist's Magazine whose career spanned 40 years. Our thoughts are
                        with his family, close friends and students. You can view some of Sovek's art at his
                        web site <a href="http://www.sovek.com">www.sovek.com</a>. 
                        <br />
                        --Lisa
                     </div>
                  </div>
                  <img src="http://www.artistsmagazine.com/blog/content/binary/KayCrain,CharlesSovek,Jeff%20Swaluk.jpg" border="0" height="324" width="419" />
                  <br />
                  <font size="1">[From left: Jeff Swaluk, Charles Sovek and Kay Crain at a Cape Cod
                  workshop, 2005]</font>
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        <br />
        <hr />
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   online.</a>
      </body>
      <title>Charles Sovek</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,72749460-f169-4577-9ade-7413163ff1fb.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Charles+Sovek.aspx</link>
      <pubDate>Sat, 30 Jun 2007 14:38:44 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;
            &lt;div&gt;
               &lt;div&gt;
                  &lt;div&gt;We're saddened to learn and report of the passing of artist and instructor Charles
                     Sovek who died earlier this month on June 8. Sovek was an influential artist and a
                     contributor to The Artist's Magazine whose career spanned 40 years. Our thoughts are
                     with his family, close friends and students. You can view some of Sovek's art at his
                     web site &lt;a href="http://www.sovek.com"&gt;www.sovek.com&lt;/a&gt;. 
                     &lt;br&gt;
                     --Lisa
                  &lt;/div&gt;
               &lt;/div&gt;
               &lt;img src="http://www.artistsmagazine.com/blog/content/binary/KayCrain,CharlesSovek,Jeff%20Swaluk.jpg" border="0" height="324" width="419"&gt; 
               &lt;br&gt;
               &lt;font size="1"&gt;[From left: Jeff Swaluk, Charles Sovek and Kay Crain at a Cape Cod
               workshop, 2005]&lt;/font&gt;
            &lt;/div&gt;
         &lt;/div&gt;
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&lt;/div&gt;
&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=72749460-f169-4577-9ade-7413163ff1fb" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,72749460-f169-4577-9ade-7413163ff1fb.aspx</comments>
      <category>By Lisa Wurster;News;Notable Artists</category>
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              <div>Following author <a href="http://www.kerismith.com">Keri Smith</a>'s advice in
               her book <i>Wreck This Journal</i>, art director Daniel Pessell and I took the book
               out for some creative damaging. Without totally destroying the book, we set one of
               the pages alight in a grill provided by the park. You can see some of our handiwork,
               below. We plan to take the book on a couple more creative jaunts until we feel we've
               sufficiently been inspired (or until there's nothing left of the book). In our September
               issue of <a href="http://www.artistsmagazine.com/mags_tam_display.asp?id=1839"><i>The
               Artist's Magazine</i></a> (on newsstands August 14), contributing writer Michelle
               Taute interviews Smith, who reveals why she created a book that encourages others
               to incinerate it.<br /><br />
               Have a creative weekend!<br /><br />
               Lisa<br /><img src="http://www.artistsmagazine.com/blog/content/binary/tam_blog9.jpg" border="0" /><img src="content/binary/tam_blog10.jpg" border="0" /></div>
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      <title>Wrecking Your Art</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,0a3d7a8d-d0cc-4b14-985a-cc3ece1a9113.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Wrecking+Your+Art.aspx</link>
      <pubDate>Thu, 07 Jun 2007 15:47:33 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;Following author &lt;a href="http://www.kerismith.com"&gt;Keri Smith&lt;/a&gt;'s advice in
            her book &lt;i&gt;Wreck This Journal&lt;/i&gt;, art director Daniel Pessell and I took the book
            out for some creative damaging. Without totally destroying the book, we set one of
            the pages alight in a grill provided by the park. You can see some of our handiwork,
            below. We plan to take the book on a couple more creative jaunts until we feel we've
            sufficiently been inspired (or until there's nothing left of the book). In our September
            issue of &lt;a href="http://www.artistsmagazine.com/mags_tam_display.asp?id=1839"&gt;&lt;i&gt;The
            Artist's Magazine&lt;/i&gt;&lt;/a&gt; (on newsstands August 14), contributing writer Michelle
            Taute interviews Smith, who reveals why she created a book that encourages others
            to incinerate it.&lt;br&gt;
            &lt;br&gt;
            Have a creative weekend!&lt;br&gt;
            &lt;br&gt;
            Lisa&lt;br&gt;
            &lt;img src="http://www.artistsmagazine.com/blog/content/binary/tam_blog9.jpg" border="0"&gt;&lt;img src="content/binary/tam_blog10.jpg" border="0"&gt;
         &lt;/div&gt;
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&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,0a3d7a8d-d0cc-4b14-985a-cc3ece1a9113.aspx</comments>
      <category>By Lisa Wurster;Random Thoughts</category>
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                          <div>As we three editors and art director sat in a little room, holed up for the last
                                 couple of weeks judging competition entries, one of us mentioned how smoothly the
                                 judging process was going. Well, that was before we got to the Portrait/Figure category!
                                 That's when tempers flared as we each stood firmly behind the paintings we could not
                                 bear to see slip away. 
                                 <br /><br />
                                 A painting of a face makes quite a connection with an individual. That's the power
                                 of the portrait. Not that the other categories are any less meaningful; they just
                                 seem easier to judge, perhaps because there's no human factor to connect so strongly
                                 with. 
                                 <br /><br />
                                 Dear readers, I intended to post a pic of our viewing room, complete with the large,
                                 black plastic sheet (which mischievously kept falling down, until we perfected a system
                                 for keeping it firmly on the wall) that we had hung over the windows to block out
                                 the light for the purpose of projecting. Our art director even suffered a nail-in-hand
                                 incident when trying to hang the darn thing back up. Alas, the judging room was dismantled
                                 before I could get in there with my camera (sometimes we're too efficient). So to
                                 make up for it, I'm posting a pic of the disaster area that has become my desk. 
                                 <br />
                                 Enjoy! 
                                 <br />
                                 Lisa
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      <title>The face of first-round judging</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,186bccb4-068a-4717-b797-8aa9fc7219df.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/The+Face+Of+Firstround+Judging.aspx</link>
      <pubDate>Sun, 03 Jun 2007 01:54:20 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
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            &lt;div&gt;
               &lt;div&gt;
                  &lt;div&gt;
                     &lt;div&gt;
                        &lt;div&gt;
                           &lt;div&gt;As we three editors and art director sat in a little room, holed up for the last
                              couple of weeks judging competition entries, one of us mentioned how smoothly the
                              judging process was going. Well, that was before we got to the Portrait/Figure category!
                              That's when tempers flared as we each stood firmly behind the paintings we could not
                              bear to see slip away. 
                              &lt;br&gt;
                              &lt;br&gt;
                              A painting of a face makes quite a connection with an individual. That's the power
                              of the portrait. Not that the other categories are any less meaningful; they just
                              seem easier to judge, perhaps because there's no human factor to connect so strongly
                              with. 
                              &lt;br&gt;
                              &lt;br&gt;
                              Dear readers, I intended to post a pic of our viewing room, complete with the large,
                              black plastic sheet (which mischievously kept falling down, until we perfected a system
                              for keeping it firmly on the wall) that we had hung over the windows to block out
                              the light for the purpose of projecting. Our art director even suffered a nail-in-hand
                              incident when trying to hang the darn thing back up. Alas, the judging room was dismantled
                              before I could get in there with my camera (sometimes we're too efficient). So to
                              make up for it, I'm posting a pic of the disaster area that has become my desk. 
                              &lt;br&gt;
                              Enjoy! 
                              &lt;br&gt;
                              Lisa
                           &lt;/div&gt;
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      &lt;img src="http://www.artistsmagazine.com/blog/content/binary/desk.jpg" border="0" height="330" width="657"&gt;
   &lt;/div&gt;
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&lt;img width="0" height="0" src="http://artistsblog.artistsnetwork.com/aggbug.ashx?id=186bccb4-068a-4717-b797-8aa9fc7219df" /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
online.&lt;/a&gt;</description>
      <comments>http://artistsblog.artistsnetwork.com/CommentView,guid,186bccb4-068a-4717-b797-8aa9fc7219df.aspx</comments>
      <category>By Lisa Wurster;Random Thoughts</category>
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      <title>Competition and copyright</title>
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      <link>http://artistsblog.artistsnetwork.com/Competition+And+Copyright.aspx</link>
      <pubDate>Thu, 24 May 2007 23:56:12 GMT</pubDate>
      <description>&lt;div&gt;
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                           &lt;div&gt;I've had the privilege of screening the online entries to this year's Annual
                              Art Competition, and 2007 marks the first year we've accepted the format (along with
                              slides) in the competition. There were about 6,000 digital entries to screen and at
                              last--I'm done! (Somebody hug me). 
                              &lt;br&gt;
                              &lt;br&gt;
                              This is my third--perhaps fourth year--participating in the first-round judging, and
                              each year we see some of the same types of issues. (On a side note, one funny thing
                              I've noticed is that, generally speaking, cows seem to be a favorite subject of landscape
                              and animal artists. Holy bovines, Batman.) 
                              &lt;br&gt;
                              &lt;br&gt;
                              Anyhow, it never fails to surprise me when I catch a copyright violation, and one
                              entry was a clear example of it--a rip-off of a photograph by Brian Griffin, whose
                              work hangs in the National Portrait Gallery, London. You can view his photos in that
                              collection by clicking &lt;a href="http://www.npg.org.uk/live/search/person.asp?search=sa&amp;sText=brian+griffin&amp;LinkID=mp07787&amp;role=art"&gt;here&lt;/a&gt;.
                              Griffin has a cool &lt;a href="http://www.briangriffin.co.uk"&gt;website&lt;/a&gt;, where you
                              can see the work in question. It originally appeared on the album cover of &lt;a href="http://www.briangriffin.co.uk/detail_pages/s_music01.html"&gt;A
                              Broken Frame&lt;/a&gt; by the band Depeche Mode. If I hadn't been such a fan of the band
                              back in high school, I might not have noticed. When I got home, I grabbed my copy
                              of &lt;i&gt;100 Best Album Covers&lt;/i&gt; and opened right to the page, confirming both the
                              album photo and photographer. 
                              &lt;br&gt;
                              &lt;br&gt;
                              So just a reminder to entrants: Photographers are artists, too, and without their
                              permission, you CANNOT borrow their images to paint from. Best to paint from life--or
                              use your own photos.&lt;br&gt;
                              &lt;br&gt;
                              On a more pleasant note, screening entries was a great experience and not much compares
                              to whiling away the hours looking at art. Best of luck to all who entered the competition!&lt;br&gt;
                              &lt;br&gt;
                              --Lisa&lt;br&gt;
                           &lt;/div&gt;
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                           &lt;hr /&gt;
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              <div>Recently some acquaintances of mine were involved in doing a mural in one of
               Cincinnati's less prosperous neighborhoods, Over-the-Rhine. I must say that Urban
               Sites, who commissioned the mural, was wise to do so. It makes the street brighter
               and it looks as though someone CARES in this somewhat forlorn neighborhood. Plus the
               project gives a group of artists the chance to work together on a common goal, which
               doesn't happen very often. Here's the mural—done in a staggeringly quick two days,
               a joint effort by Craig Dransfield, Ali Calis, Jessie Cundiff, Jen Edwards, C.T. King,
               Mark Gingery and Greg Mills.<br /><br />
               --Lisa 
               <br /><br /><img title="OTRwholeLeft1.jpg" alt="OTRwholeLeft1.jpg" src="http://alicalis.com/PWDA/files/170/OTRwholeLeft1.jpg" border="0" height="345" width="600" /></div>
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        <br />
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   online.</a>
      </body>
      <title>Improving the View</title>
      <guid>http://artistsblog.artistsnetwork.com/PermaLink,guid,38d37c9e-48d6-4987-9ea3-1e41eb4fbd2c.aspx</guid>
      <link>http://artistsblog.artistsnetwork.com/Improving+The+View.aspx</link>
      <pubDate>Tue, 22 May 2007 15:50:20 GMT</pubDate>
      <description>&lt;div&gt;
   &lt;div&gt;
      &lt;div&gt;
         &lt;div&gt;Recently some acquaintances of mine were involved in doing a mural in one of
            Cincinnati's less prosperous neighborhoods, Over-the-Rhine. I must say that Urban
            Sites, who commissioned the mural, was wise to do so. It makes the street brighter
            and it looks as though someone CARES in this somewhat forlorn neighborhood. Plus the
            project gives a group of artists the chance to work together on a common goal, which
            doesn't happen very often. Here's the mural—done in a staggeringly quick two days,
            a joint effort by Craig Dransfield, Ali Calis, Jessie Cundiff, Jen Edwards, C.T. King,
            Mark Gingery and Greg Mills.&lt;br&gt;
            &lt;br&gt;
            --Lisa 
            &lt;br&gt;
            &lt;br&gt;
            &lt;img title="OTRwholeLeft1.jpg" alt="OTRwholeLeft1.jpg" src="http://alicalis.com/PWDA/files/170/OTRwholeLeft1.jpg" border="0" height="345" width="600"&gt;
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&lt;br /&gt;
&lt;hr /&gt;
&lt;a href="http://www.artistsnetwork.com/artistsmagazine"&gt;Visit The Artist's Magazine
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      <category>By Lisa Wurster;Random Thoughts</category>
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