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 Saturday, June 30, 2007
Charles Sovek
We're saddened to learn and report of the passing of artist and instructor Charles Sovek who died earlier this month on June 8. Sovek was an influential artist and a contributor to The Artist's Magazine whose career spanned 40 years. Our thoughts are with his family, close friends and students. You can view some of Sovek's art at his web site www.sovek.com.
--Lisa
[From left: Jeff Swaluk, Charles Sovek and Kay Crain at a Cape Cod workshop, 2005] By Lisa Wurster | News | Notable Artists
6/30/2007 10:38:44 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, June 28, 2007
El Anatsui in St. Louis, Too!
Today, while I was hurrying to a meeting, I caught sight of one of El Anatsui's signature tapestries; the photo was on the back page of the St. Louis Art Museum's newsletter, by chance on top of the heap in our inbox. Fading Cloth (2005, mixed media, 126x255) now on view in Sculpture Hall at the St. Louis Art Museum, looks like a tapestry woven in gold and raffia but is composed of discarded tops from liquor bottles. El Anatsui, whom I wrote about yesterday, creates gorgeously intricate wall hangings that comment on the history of West Africa while alluding to the traditions of Western art. The St. Louis Art Museum, as I remember it, has several striking pieces by Dale Chihuly and two versions of Matisse's Oceanie, le ciel (Ocean, Sky). Also on view now (until September 16) is an exhibit entitled Symbols of Power: Napoleon and the Art of the Empire Style, 1800-1815, which features over 240 decorative objects—furniture, jewelry, textiles, sculpture, etc.—created during Napoleon's reign, plus two stately portraits that apotheosize the ruler: Napoleon I on His Imperial Throne by Jean-Auguste-Dominique Ingres and Napoleon Visiting the Battleflield of Eylau by Antoine-Jean Gros. And St. Louis also has Eero Saarinen's Gateway Arch on the banks of the Mississippi River that evokes Huck Finn and Jim's meandering journey. For all these reasons, St. Louis may be well worth a summer trip!
Maureen By Maureen Bloomfield | Notable Artists | Shows and Events
6/28/2007 2:05:47 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, June 27, 2007
El Anatsui in Venice and Los Angeles
In this week's Art Talk (aired on KCRW 89.9 FM in Los Angeles and also delivered as an e-mail newsletter) Edward Goldman examines the resplendent work of African artist El Anatsui, who flattens cast-off screw tops and sews them together with copper wire to fashion metallic tapestries that resemble luminous waves and command entire walls. To take a look at El Anatsui's work that drew rave reviews at the Venice Biennale visit his Web site at http://www.elanatsui.comand don't miss Edward Goldman's always engaging commentary at http://www.kcrw.com/etc/programs/atAnd on the domestic front, the little bird Phoenix is still alive.
Maureen By Maureen Bloomfield | Notable Artists | Random Thoughts | Shows and Events
6/27/2007 12:45:59 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, June 25, 2007
Midsummer Day's Sweet Dove
 Yesterday, June 24, was Midsummer, the day the English celebrate by burning ceremonial fires. I was carrying a box of photo albums to the attic, when I heard an odd noise. At first I thought our black cat Athena was playing with a squeaky toy, and then I realized that she had a tiny bird that must have escaped from the nest on the other side of a room air conditioner. I picked up the cat and locked her in the basement and called my daughters who discovered the baby bird in a corner. She survived the night (we're feeding her dry dog food mashed with water). She doesn't look like the sparrows in the ash tree outside the window; she's a lot younger and she is dark with a yellow mouth, like a starling. I'm thinking of Midsummer Night's Dream and of Barbara Pym's wonderful The Sweet Dove Died, which recalls, of course, John Keats's sonnet that begins "I had a dove and the sweet dove died," and I am hoping our little bird that we call Phoenix grows up enough to fly.--Maureen If you'd like to read some poems on Midsummer, go to www.poets.org, the fabulous site of the Academy of American Poets, and type in "Midsummer" in the search box.
By Maureen Bloomfield | Random Thoughts
6/25/2007 4:19:48 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, June 21, 2007
Munchs on the Mend
You no doubt remember the theft in 2004 from the Munch Museum in Oslo, where a gun-wielding, masked man carried off Edvard Munch's Scream and Madonna, as astonished museum-goers and guards looked on. When the paintings were finally recovered in August of 2006, they showed evidence of damage from from rough treatment and exposure to humidity. Today The New York Times reported that a Japanese company operating in Norway, Idemitsu Petroleum of Japan, has pledged $670,000 toward their restoration.The museum plans to publish a book documenting analyses of the damage and the stages in the process of restoration, which may require the services of an eye surgeon to remove splinters of glass shattered from the frames. Should the paintings be shown "as they are" before they undergo treatment? To read conflicting opinions, visit http://www.aftenposten.no/english/local/article1445071.ece.--Maureen Bloomfield Random Thoughts | By Maureen Bloomfield
6/21/2007 3:39:38 PM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, June 19, 2007
Women in Art
A friend forwarded this video—the female as she morphs through 500 years of Western art. Whether they appear direct and stoic, firtatious and alluring or simply dreaming of some better day, these women change to the tune of solo violin. Simply lovely.
Enjoy!
Lisa
By Lisa Wurster | Random Thoughts | Videos
6/19/2007 3:39:48 PM (Eastern Daylight Time, UTC-04:00)
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 Monday, June 18, 2007
PBS Show on Art Airs Tonight
A TV show that will take a look at eight masterpieces and enact the stories behind their genesis, Simon Schama's Power of Art starts tonight on PBS stations. Power of Art opens with Vincent van Gogh's last painting, Wheat Fields with Crows, which Schama says "begins modern art." Schama's style is brash, anecdotal, and charged. He exults in the connections between art and history, culture and politics. Schama is the author of many books, most notably, perhaps, An
Embarrassment of Riches, which analyzes the implications of the rise of the Dutch bourgeousie, and
Rembrandt's Eyes, which examines Rembrandt's life and ouevre in light of his foil, Rubens. According to Alessandra Stanley's article in today's New York Times, tonight's episode will end with Schama's describing how Picasso's Guernica--a version of the painting rendered in tapestry––figured in Colin Powell's 2003 testimony to the United Nations on the eve of America's declaration of war against Iraq. Tonight we're celebrating my older daughter's birthday, but I'll try to tape the show. If you catch it, let me know what you think! --Maureen Bloomfield To see a preview of Power of Art, click on http:///www.pbs.org/previews/simonschama-powerofart/ By Maureen Bloomfield | News | Shows and Events
6/18/2007 11:31:24 AM (Eastern Daylight Time, UTC-04:00)
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 Friday, June 15, 2007
Major Gift to the Clark
The Sterling and Francine Clark Institute in Williamston, Massachusetts, today announced a major gift whose estimated worth is between $80 and $90 million. The Manton Foundation, whose founder, Sir Edwin Manton, made his fortune at American International Group (AIG) Insurance, has bequeathed a collection of oil sketches, watercolors, and other works on paper by J.M.W. Turner, John Constable, and Thomas Gainsborough, as well as a gift of $50 million to endow the Clark's highly respected Research and Academic Program on grounds shared by the renowned Williams College Graduate Program in the History of Art. The Manton gift includes 3 paintings and 17 watercolors by Turner; 6 paintings, 17 oil studies, 8 watercolors, and 19 drawings by Constable, and 3 oil paintings and 15 drawings by Gainsborough, whom, I confess, I underestimated until I saw several of his splendid landscape drawings on display in "Four Centuries of European Master Drawings" at the Morgan Library and several more that were part of the permanent collection at the Yale Center for British Art last year. Maureen Bloomfield By Maureen Bloomfield | News | Random Thoughts
6/15/2007 11:00:21 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, June 12, 2007
Charley Harper Passes Away
Dear Readers: It is with much regret that we learned master illustrator and graphic designer Charley Harper passed away this week. Born in West Virginia in 1922, he grew up on a farm and came to Cincinnati to pursue art studies, eventually teaching at the Art Academy of Cincinnati. I saw his work recently at the Graphic Content exhibit at the Contemporary Arts Center. I had no idea his geometric style, inspired by Modernism, had been so inpirational—especially to such young designer-artists such as Ryan McGinness and Todd Oldham. In the CAC exhibit, their art hung nearby on the same walls and then, the legacy was clear. He will be greatly missed. --Lisa Watch the video essay Oldham conducted with Harper here on YouTube. Charley Harper, Black and White Warbler, 1955, silkscreen, 20.5"x15",courtesy of the artist By Lisa Wurster | News | Videos | Notable Artists
6/12/2007 4:28:29 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, June 07, 2007
Wrecking Your Art
Following author Keri Smith's advice in her book Wreck This Journal, art director Daniel Pessell and I took the book out for some creative damaging. Without totally destroying the book, we set one of the pages alight in a grill provided by the park. You can see some of our handiwork, below. We plan to take the book on a couple more creative jaunts until we feel we've sufficiently been inspired (or until there's nothing left of the book). In our September issue of The Artist's Magazine (on newsstands August 14), contributing writer Michelle Taute interviews Smith, who reveals why she created a book that encourages others to incinerate it. Have a creative weekend! Lisa   By Lisa Wurster | Random Thoughts
6/7/2007 11:47:33 AM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, June 06, 2007
Afghanistan Shortchanged?
A planned exhibit of ancient gold objects from Afghanistan is stirring controversy, because the National Geographic Society negotiated a deal that experts say shortchanged the government of Afghanistan. “It’s a travesty,” says Lynne Munson, the former chairwoman of the National Endowment for the Humanities, who is quoted in an article in today’s New York Times. The arrangement calls for Afghanistan to receive $1 million plus 40 per cent of expected revenue, once expenses have been deducted. Munson argues that 40 percent would be “40 percent of absolutely nothing” because transport, insurance, and installation costs would be so high. When the National Geographic Society four years ago negotiated a similar deal with Egypt for the Treasures of Tutankhamen, the Egyptian government was assured $10 million for every city the show toured, as well as 50 percent of the gross revenue. Thomas Hoving, the former director of the Met and no stranger to blockbuster shows, said Afghanistan should have held out for more cash. Ana Rosa Rodriguez, executive director of the Society for the Preservation of Afghanistan’s Cultural Heritage, feels that the National Geographic Society is taking advantage of a country that has endured decades of devastation, suffering, and upheaval. These ancient artifacts, many of Bactrian gold, were salvaged from a bank vault beneath a former royal palace in Kabul in 2004. Curators of the Kabul Museum shielded the artifacts, at great personal risk, from the Taliban and from earlier insurgents, later insurrections, and the American occupation. On display now at the Musee Guimet in Paris, the exhibit will open at the National Gallery of Art in Washington, and then travel to the Metropolitan Museum of Art, the Asian Museum in San Francisco, and the Museum of Fine Arts in Houston. The artifacts are part of the treasure of Tilya Tepe, the Hill of Gold, near the Oxus River in northern Afghanistan. To read more about the excavation of these ancient objects, go to http://www.news.nationalgeographic.com/news/2004/11/1117_041117_afghan_treasure.html. To see images from the show in Paris, go to http://www.news.bbc.co.uk/2/hi/south_asia/6215002.stm.--Maureen Bloomfield By Maureen Bloomfield | News | Shows and Events
6/6/2007 1:51:29 PM (Eastern Daylight Time, UTC-04:00)
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 Saturday, June 02, 2007
The face of first-round judging
As we three editors and art director sat in a little room, holed up for the last couple of weeks judging competition entries, one of us mentioned how smoothly the judging process was going. Well, that was before we got to the Portrait/Figure category! That's when tempers flared as we each stood firmly behind the paintings we could not bear to see slip away.
A painting of a face makes quite a connection with an individual. That's the power of the portrait. Not that the other categories are any less meaningful; they just seem easier to judge, perhaps because there's no human factor to connect so strongly with.
Dear readers, I intended to post a pic of our viewing room, complete with the large, black plastic sheet (which mischievously kept falling down, until we perfected a system for keeping it firmly on the wall) that we had hung over the windows to block out the light for the purpose of projecting. Our art director even suffered a nail-in-hand incident when trying to hang the darn thing back up. Alas, the judging room was dismantled before I could get in there with my camera (sometimes we're too efficient). So to make up for it, I'm posting a pic of the disaster area that has become my desk.
Enjoy!
Lisa  By Lisa Wurster | Random Thoughts
6/2/2007 9:54:20 PM (Eastern Daylight Time, UTC-04:00)
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 Friday, June 01, 2007
Kenney Mencher's Glass Half Full
 In the June 2007 issue of The Artist's Magazine, we showcase the theatrical, engaging paintings of Kenney Mencher, who is an associate professor of art and art history at Ohlone College in Fremont, California. "Variations on a Theme," written by Kenney himself, describes how he took a humble glass of water, arranged characters/models who were often his friends around the glass, and then painted a series of scenes that were outlandishly ordinary and wildly funny. Kenney is the subject of a recent blog by Steve-O, who has a site called "The Caravan of Dreams," named after a performing arts center in Fort Worth. Steve's interview with Kenney is entertaining and informed. Click on http://www.thecaravanofdreams.blogspot.com/2007/05/interview-with-kenney-mencher.html. And Kenney has his own wonderful Web site, where he posts pictures of works in progress at http://www.kenney-mencher.com.--Maureen Bloomfield By Maureen Bloomfield | News | Notable Artists | Random Thoughts
6/1/2007 3:28:42 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, May 31, 2007
Anselm Kiefer in Paris
I've always been deeply affected by Anselm Kiefer's vast, overwrought paintings that meditate on modern (and mythic) German history; thus I was pleased to see Alan Riding's article on Kiefer's newest installation in today's New York Times. Born in Germany during World War II, Kiefer now lives in Paris; "Falling Stars" opens today in the recently restored Grand Palais. With this and subsequent exhibitions, the French government hopes to incite greater interest in contemporary art. Alan Riding notes how Kiefer looks to literature for reference and for imagery: "...Mr. Kiefer fills the space with the visual and intellectual force of his art, much of it inspired by literature, notably the poetry of the Romanian Paul Celan and the Austrian Ingeborg Bachmann, the Bible and cabalistic writings. Mr. Kiefer himself has often noted that in his youth he wavered between becoming a writer and a painter." The installation is made up of "houses" that encompass paintings in oil and sculptures composed variously of terra cotta, concrete, pieces of cloth, palm fronds, and sheets of lead. Kiefer says of "Falling Stars: "What interests me is the transformation, not the monument. I don't construct ruins, but I feel ruins are moments when things show themselves. A ruin is not a catastrophe. It is the moment when things can start again." To see and read more about Kiefer's work, visit http://www.ibiblio.org/wm/paint/auth/kiefer/ or http://www.sfmoma.org/exhibitions/exhib_detail.asp?id=234--Maureen Bloomfield By Maureen Bloomfield | Random Thoughts | Shows and Events
5/31/2007 10:00:50 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, May 29, 2007
An English Folly
Yesterday my family, several friends, and I went canoeing along the Miami Whitewater River. It was an overcast day; the river was low, so we avoided any mishaps in navigating the rapids. Along the banks we caught sight of a great blue heron, a pair of night herons, several gaggles of geese and goslings, and river turtles sunning themselves on overhanging branches.
Midway on our trip, we beached the canoes on the slope leading to a replica of a 10th century castle, a folly that a retired publisher, Harry Andrews, built entirely by hand. The materials were river stones and concrete (which he used as mortar and also poured into milk cartons in order to fashion bricks). The castle itself is eccentric in an English manner; the terraced gardens, however, are Italianate in design, but with an abundance of flowers beloved in English gardens: alium, red hot pokers, and roses of all sorts.
Harry Andrews’s intention was to build a playground for the boys he taught in Sunday school; today adult members of The Knights of the Golden Trail volunteer their time to keep the castle and grounds in repair. Crenellated battlements, romantic towers; narrow passageways; vitrines displaying crossbows and daggers; medieval suits of armor and velvet blue robes; blurred photographs of ghosts––children and adults alike were enchanted.
To read about Harry Andrews and to see pictures of the Historic Loveland Castle, visit http://www.lovelandcastle.com/his.html. To read a short history of English gardens, go to http://www.britainexpress.com/History/english-gardens.htm.
Maureen
By Maureen Bloomfield | Random Thoughts
5/29/2007 10:34:26 AM (Eastern Daylight Time, UTC-04:00)
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 Thursday, May 24, 2007
Competition and copyright
I've had the privilege of screening the online entries to this year's Annual Art Competition, and 2007 marks the first year we've accepted the format (along with slides) in the competition. There were about 6,000 digital entries to screen and at last--I'm done! (Somebody hug me). This is my third--perhaps fourth year--participating in the first-round judging, and each year we see some of the same types of issues. (On a side note, one funny thing I've noticed is that, generally speaking, cows seem to be a favorite subject of landscape and animal artists. Holy bovines, Batman.)
Anyhow, it never fails to surprise me when I catch a copyright violation, and one entry was a clear example of it--a rip-off of a photograph by Brian Griffin, whose work hangs in the National Portrait Gallery, London. You can view his photos in that collection by clicking here.
Griffin has a cool website, where you can see the work in question. It originally appeared on the album cover of A Broken Frame by the band Depeche Mode. If I hadn't been such a fan of the band back in high school, I might not have noticed. When I got home, I grabbed my copy of 100 Best Album Covers and opened right to the page, confirming both the album photo and photographer. So just a reminder to entrants: Photographers are artists, too, and without their permission, you CANNOT borrow their images to paint from. Best to paint from life--or use your own photos. On a more pleasant note, screening entries was a great experience and not much compares to whiling away the hours looking at art. Best of luck to all who entered the competition! --Lisa By Lisa Wurster | Random Thoughts
5/24/2007 7:56:12 PM (Eastern Daylight Time, UTC-04:00)
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 Wednesday, May 23, 2007
Writers with Pizzazz
Edward Goldman is an wryly irreverent, highly informed, wide-ranging critic and arts consultant; he has a lively weekly radio show called Art Talk that airs on KCRW, an FM station in Los Angeles. His commentary is always engaging. His latest essay, on Don Flavin and Richard Tuttle, is called "The Amazing Art of Nothing." To read it or to hear the podcast, go to http://www.arttalk.kcrw.org. Another critic I enjoy reading is Peter Schjeldahl, who reviews the Edward Hopper retrospective on view at the Museum of Fine Arts in Boston ( www.mfa.org/hopper) in the current New Yorker ( http://www.newyorker.com/arts/critics/artworld/2007/05/21/07052/craw-artworld-schjeldahl. )(In our July-August issue, Sheila Hollihan-Elliot takes a look at the many drawings that led to Hopper's signature Office at Night.)Other writers I look forward to reading: the radiant Stephen Holden, of The New York Times, who covers all the arts and is always rewarding; the iconoclastic Herbert Muschamp, also of The Times, who writes about architecture and culture and is sometimes disgruntled but always dazzling: brilliant, erudite, and funny; what more can you ask for? Who are some of your favorite writers on the arts?--Maureen Bloomfield By Maureen Bloomfield | Random Thoughts | Shows and Events
5/23/2007 8:56:00 AM (Eastern Daylight Time, UTC-04:00)
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 Tuesday, May 22, 2007
Improving the View
Recently some acquaintances of mine were involved in doing a mural in one of Cincinnati's less prosperous neighborhoods, Over-the-Rhine. I must say that Urban Sites, who commissioned the mural, was wise to do so. It makes the street brighter and it looks as though someone CARES in this somewhat forlorn neighborhood. Plus the project gives a group of artists the chance to work together on a common goal, which doesn't happen very often. Here's the mural—done in a staggeringly quick two days, a joint effort by Craig Dransfield, Ali Calis, Jessie Cundiff, Jen Edwards, C.T. King, Mark Gingery and Greg Mills. --Lisa  By Lisa Wurster | Random Thoughts
5/22/2007 11:50:20 AM (Eastern Daylight Time, UTC-04:00)
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 Monday, May 21, 2007
Screening Images for Our Contest
Last week we started looking at slides and digital images entered in The Artist's Magazine's annual contest. At this time of year, we always look forward to sequestering ourselves in a dark room, where we project images that are often startlingly beautiful and sometimes utterly surprising. We have more than 12,000 entries! Senior Art Director Daniel Pessell, Associate Editor Lisa Wurster, Managing Editor Chris McHugh and I all agree that the quality of submissions this year is extremely high. Artists seem to be taking more chances; there is more expressive, edgy work; there's a greater sense of fun, and also of passion.
I've juried some shows where the protocol demands utter silence; we, on the other hand, talk incessantly and often vehemently. We spend as much time as it takes to discuss a painting, and then we vote. Luckily, we've worked together for awhile and we trust each other's taste, though I confess I'm more forceful, sometimes, than my colleagues in rendering judgment. By the end of June we'll have chosen finalists in each category; we will then send those slides and digital entries to our five judges, who will make the final decisions.--Maureen
By Maureen Bloomfield | Random Thoughts
5/21/2007 4:02:19 PM (Eastern Daylight Time, UTC-04:00)
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 Thursday, May 17, 2007
Art Guitar on Sale
Hoping to beat out the the most expensive guitar ever sold (Eric Clapton's Stratocaster, which went for $959,500), modern artist Mark Ryden's handpainted Dean ML electric guitar is being auctioned off on eBay. Ryden's work is a combination of cute/disturbing with paintings of big-eyed children in dream-like scenarios. The money rasied from the auction will go to Little Kids Rock, a non-profit organization that provides low-income children with free instruments and music lessons. The auction and a benefit concert are part of the exhibit called Six String Masterpieces. Today is the final day of the auction, but you can see the handpainted guitar unstrung and strung, below.
You can also see more of Ryden's fantastical art at www.markryden.com. --Lisa
  By Lisa Wurster | Notable Artists | Shows and Events
5/17/2007 9:41:18 AM (Eastern Daylight Time, UTC-04:00)
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